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Visual Genesis of Japanese National Identity
This volume offers an entirely new view of the concept of constructing nation-states. It inquires into the nature of national identity constructs produced in pre-modern Japan through examining two aspects of its cultural production, the sphere of fine arts and the sphere of literature.
Excursions in Identity
In the Edo period (1600–1868), status- and gender-based expectations largely defined a person’s place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement. After the mid-eighteenth century—which saw the popularization of culture and the rise of commercial printing—te...
Beyond the Great Wave
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese...
Diamond Mountains
Mount Geumgang, also known as the Diamond Mountains, is perhaps the most famous and emotionally resonant site on the Korean Peninsula, a magnificent range of rocky peaks, waterfalls, and lagoons, dotted with pavilions and temples. Since ancient times, it has inspired cultural pride, spurred spiritual and artistic pilgrimages, and engendered an outpouring of creative expression. Yet since the partition of Korea in 1945 situated it in the North, Mount Geumgang has remained largely inaccessible to visitors, shrouded in legend, loss, and longing. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Diamond Mountains: Travel and Nostalgia in Korean Art is the first book in English to expl...
Handbook on Frugal Innovation
This pioneering Handbook details the origins of the concept of frugal innovation, its emergence as an academic field of interest, and the main driving forces behind it. The book presents new empirical evidence and critical perspectives on what frugal innovation entails, from disciplines such as science and engineering, humanities, and social sciences. This title contains one or more Open Access chapters.
Mount Fuji
Mount Fuji has always stirred the imagination of artists. Many Japanese print artists, including some of the greatest, such as Hokusai and Hiroshige, have attempted to capture the spirit of the mountain in their designs. This book offers an overview of the many faces of Mount Fuji as seen through the eyes of such artists. The introduction focuses on Mount Fuji in mythology, early portrayal, pilgrimage history, and its depiction in Japanese prints -- in particular, in the work of Hokusai and Hiroshige. The book also contains chapters on Mount Fuji seen from the Ttkaidt, Fuji and the "Ch{shingura" drama, Fuji and poetry ("surimono"), Fuji seen from Edo (present-day Tokyo) and "The thirty-six views of Mount Fuji."
Plunder and Pleasure
Plunder and pleasure is the first book of its kind to provide an in-depth study of the role played by dealers and collectors of art in the late 19th and early 20th centuries, when the Western craze for East Asian art was at its peak. The book comprises an overview of Japonisme and the translation into English of two important French texts detailing the trade in Asian art at this time: Notes d'un Bibeloteur au Japon by the art dealer Philippe Sichel (1839/40-99) and Souvenirs d'un vieil Amateur d'Art de l'Extrême-Orient by the collector Raymond Koechlin (1860-1931). Both translations are extensively annotated. A discussion of the content and significance of the translations as well as short biographical sketches of Sichel and Koechlin are also included. Plunder and Pleasure casts new light on the subject of Western tastes for East Asian art during this period and furthers our understanding of the cultural relations between the Far East and the West that were going on at this time.
The Commercial and Cultural Climate of Japanese Printmaking
Volume 2 of Hotei Academic European Studies on Japan is a compilation of essays covering subjects relating to the artistic environment of the artists and the economic considerations of Japanese print production. The essays are extended versions of the lectures presented at the First International Conference on Ukiyo-e, organized by Hotei Publishing. Contributions by Chris Uhlenbeck, David Waterhouse, Roger Keyes, Shigeru Oikawa, Asano Shugo, Timothy Clark, John Carpenter, Timon Screech, Matthi Forrer, Ellis Tinios and Philip Meredith.
Tattoos of the Floating World
This work discusses the art of the Japanese tattoo in the context of Ukiyo-e, focusing on the parallel histories of the woodblock print and the tattoo.
