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The Seagulls’ Wedding
This short novel is set in the Istanbul of the 2000’s, a world where the lives of ordinary law-abiding people are turned upside down by terrorism, earthquakes, wars and macro-economic financial crises. It is a world where people have forgotten to act like human beings and only look after themselves. In the words of the hero himself, in the space of one month he has “lost his father, gone bankrupt, had his goods and chattels taken away from him, lost his home, been treated like a pervert, almost died of hunger and been abandoned by his family”. Our hero has opened a gift shop in the historic part of Istanbul, after years of hard, soul-destroying labor in hotels where he has been at the ...
A Long Strange Trip
Who is this hero who beckons the reader to join him on his long, strange trip? Maybe he’s a Grinch-like misanthrope or perhaps an anti-social introvert. In any case, he encounters someone who is going to ensure he finds equilibrium in the world and who is going to enrich his inner and outer world during the most perplexing time of his life. He gets to taste the meaning of what it’s like to ponder, to avoid, to long for, and to give importance to someone else. As for his long, strange trip, it’s guaranteed to drag the reader transiting, skipping and leaping from reality to dreamland, from the past to the present and future, and from dialogue to one’s inner voice. *** “I’m all mess...
In the Heat of the Night
Children are definitely crying somewhere now. There are those who rummage through garbage containers, those looking for a job, those who lean their heads on their knees and brood. There are those who are sleeping and those who can’t sleep. There are children, young people and old people. There are the dead, the alive, and infants unaware of anything. There are the sober and drunk. There are the married and the homeless. Of course, somewhere there are empty streets and crowded parties. There are also those in bed, on the road, and those who work at this hour. There are those with good fortune and those who have nothing but bad luck. There are dreams and ghosts. There’s a giant snare, an apocalyptic crowd. There are those with slanted eyes, and those with coal black skin. There are those who hope for God’s help and those who have their butts kicked. There are those who may soon find themselves in big trouble, and those who have not, or will not, have run into a single serious problem throughout their lives. Bullets are raining down on people somewhere right now. Champagne bottles whose corks were simultaneously popped amidst spontaneous laughter.
Sweet Chocolate
Strictly speaking, ‘Sweet Chocolate’, first part of the trilogy together with ‘Ramblings’ and ‘Towards the End of the Night’, is one of the countless variations of Billy Wilder’s ‘boy meets girl’. But it’s not that simple – is the beginning the end or the end the beginning? There are time leaps, flashbacks, changes of perspective and even overlaps caused by them. Reality, dreams and prophecies, inner monologue, dialogues and chats. Helpful, puzzling or completely missing chapter headings … Sounds like a labyrinth and hopeless confusion – but surprisingly it’s not at all. The narrative is entertaining and comprehensible. A lightness pervades the short novel, although at the center is a difficult, contradictory, multi-layered, self-centered, failed spirit who, after too long a period of seclusion, attempts to find his place again in the midst of life. As you read, all the little pieces of the puzzle fall into place. And with parts 2 and 3, which are both sequel and supplement, the big pieces too.
Trilogy
Are you ready for a bite of chocolate on a long strange trip in the heat of the night? If so you are ready to read Merih Günay's three connecting novels in one enthralling collection. In Sweet Chocolate at the center of things is a difficult, contradictory, complex, self-centered, failed spirit who, after having spent too much time in seclusion, tries again to find his place in the midst of life. In A Long Strange Trip as much as the first-person narrator believes he despises ordinary life, he, however, gradually finds himself confronting the fact, as painful as it is liberating, that this is precisely his greatest asset. He then goes on to attempt to transform despair and resignation into ...
Notos Öykü 09 - Guaraní Edebiyatı
Keşfedilmemiş bir kültür: Guaraní edebiyatı Mayıs 68 ve edebiyat İki aylık edebiyat dergisi NotosÖykü’nün Nisan’da yayımlanan 9. sayısında iki önemli dosya yer alıyor. İlki Keşfedilmemiş bir kültür: Guaraní edebiyatı-Çiftdilli Paraguay edebiyatı başlığını taşıyor. Latin Amerika’nın çiftdilli tek ülkesi olan Paraguay’ın yerli halkının İspanyol sömürgecilerle karşılaştığı günlerden bugüne oluşan kültürü içinden çıkan Guaraní edebiyatı, önde gelen yazarları ve şairleriyle NotosÖykü’nün bu sayısının kapak konusunu oluşturuyor. Derginin Paraguaylı yazarların da yardımını alarak oluşturduğu dosya, ülkemizde bili...
Notos Öykü 11 - Türkiye'de Bir Kürt Edebiyatı Var mı?
Türkiye’de bir Kürt edebiyatı var mı? Fanzin: Ötekinin sesi… İki aylık edebiyat dergisi NotosÖykü’nün Ağustos’ta yayımlanan 11. sayısının kapak konusu, Türkiye’de bir Kürt edebiyatı var mı? başlığını taşıyor. Türkiye coğrafyasında yeni bir oluşum süreci yaşayan genç Kürt edebiyatının durumunu sorgulayan bölüm, bugüne dek en kapsamlı biçimde NotosÖykü’nün bu sayısında ele alınıyor. Bölümün yazarları Lal Laleş, Şener Özmen, Muhsin Kızılkaya, Îrfan Amîda, Selim Temo, Abidin Parıltı, Dilawer Zeraq, Firat Cewerî, Kawa Nemir, Şeyhmus Diken, Yunus Eroğlu, Remezan Alan, Yaqob Tilermenî, Semih Gümüş. NotosÖykü’nün A...
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