You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Merlin Coverley explores and explains the origins and actualities of Psychogeography, tracing its antecedents in the Situationist Movement of the 1950s through to present day manifestations in the work of Ian Sinclair and Stewart Home. From Urban Wandering to Cognitive Mapping, Psychogeography provides new ways of apprehending one's surroundings, transforming the familiar streets of everyday experience into something new and unexpected. Coverley conducts the reader through this process, offering explanation, definition and analysis of key figures and organisations.
London, more than any other city, has a secret history concealed from view. Behind the official façade promoted by the heritage industry lies a city of esoteric traditions, obscure institutions, and forgotten locations. Occult London rediscovers this history, unearthing the hidden city that lies beneath our own. From the Elizabethan magic of Dr Dee and Simon Forman to the occult designs of Wren and Hawksmoor; from the Victorian London of Spring-Heeled Jack to the fin de siecle heyday of Madame Blavatsky and Aleister Crowley. This book describes these practitioners of the occult and their unorthodox beliefs, alongside the myths and legends through which the city has always been perceived. The role of the occult within London's literary history is also outlined, while a gazetteer maps the sites of London's most resonant occult locations. Today we are experiencing a renewal of interest in the occult tradition, and Merlin Coverley examines the roots of this revival, exploring the rise of New Age philosophies and the emergence of psychogeography in shaping a new vision of the city
Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival,...
The Art of Wandering is a history of that curious hybrid, the writer as walker. From the Ancient world to the modern day, the role of the walker continues to evolve, from philosopher and pilgrim, vagrant and visionary, to experimentalist and radical. From Rousseau and De Quincey to Virginia Woolf and Werner Herzog, this seemingly innocuous activity has inspired a literary tradition encompassing philosophy and poetry, the novel and the manifesto. Today, this figure has returned to the forefront of the public imagination, as writers and walkers follow in the footsteps of earlier generations. For the walker is once again on the march, seeking out new territory and recording new impressions of the landscape. Newly revised and updated, The Art of Wandering explores these adventures on foot. Every walk can be expressed as a story narrated by the walker; it is these stories and the lives of those who walked them which are examined here.
What do writers such as Charles Dickens and Peter Ackroyd, Iain Sinclair and Robert Louis Stevenson have in common? The answer lies in the use these authors make of London as a fictional setting. Yet in these works and in those of other London writers the city is much more than merely a backdrop, instead becoming a character in its own right and creating a sense of place that is both a reflection and a reworking of the city. Here London is presented as a living organism, a huge and mysterious labyrinth, and the source of endless imagination. A whole world is contained by the city and within it the entire spectrum of human experience. From Bleak House to Hawksmoor, from Dr Jekyll and Mr Hyde ...
Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent. The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and a revealing exploration of the split in Self's Jewish-American-British psyche and its relationship to the political geography of the post-9/11 world. Ranging from the Scottish Highlands to Istanbul and from Morocco to Ohio, Will Self's engaging and disturbing vision is perfectly counter-pointed by Ralph Steadman's edgy and beautiful artwork.
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS. From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.
How has the idea of the South come to exert such a powerful hold over our imagination? Artists and writers have long felt the lure of the South. Goethe was revitalised by his journey to Italy; Nietzsche took flight southwards to begin his life anew, while DH Lawrence sought the health-giving southern sun in Sicily and Sardinia. The South Seas cast a spell over Stevenson, Melville and Gauguin, while it was the frozen South of the Antarctic which inspired the nightmarish visions of Poe and Lovecraft. This book examines the idea of the South as a symbol of freedom and escape, as well as a repository for many of our deepest fears and desires. It also explores the history of the South as the site...
For more than 2,000 years utopian visionaries have sought to create a blueprint of the ideal society: from Plato to HG Wells, from Cloud cuckoo land to Shangri-La, the utopian impulse has generated a vast body of work, encompassing philosophy and political theory, classical literature and science fiction. And yet these utopian dreams have often turned to nightmare, as utopia gives way to its dark reflection, dystopia. Utopia takes the reader on a journey through these imaginary worlds, charting the progress of utopian ideas from their origins within the classical world, to the rebirth of utopian ideals in the Middle Ages. Later we see the emergence of socialist and feminist ideas; while the ...
In which part of North London were wild beasts once thought to roam the sewers? Why did 1920s working-class Londoners wear necklaces of blue beads? Who was the original inspiration for the 'pearly king' costume? And did Spring-heeled Jack, scourge of Victorian London, ever really exist? Exploring everything from local superstitions and ghost stories to annual customs, this is an enchanting guide to the ancient legends and deep-rooted beliefs that can be found the length and breadth of the city.