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As we begin the third decade of the twenty-first century, women have entered the workplace in unprecedented numbers, are now outperforming men in terms of educational qualifications, and are excelling across a range of professional fields. Yet men continue to occupy the positions of real power in large corporations. This book draws on unique, unprecedented access to Chairs of FTSE 350 Chairs, boardroom aspirants and executive head-hunters, to explain why this is the case. The analysis it presents establishes that the relative absence of women in boardroom roles is not explained by their lack of relevant skills, experience or ambition, but instead by their exclusion from the powerful male-dom...
Unique cross-cultural and multimedial approach to class identity and precarity in literature, theatre, and film Contemporary culture not merely reflects ongoing societal transformations, it shapes our understanding of rapidly evolving class realities. Literature, theatre, and film urge us to put the question of class back on the agenda, and reconceptualize it through the lens of precarity and intersectionality. Relying on examples from British, French, Spanish, German, American, Swedish and Taiwanese culture, the contributors to this book document a variety of aesthetic strategies in an interdisciplinary dialogue with sociology and political theory. Doing so, this volume demonstrates the myriad ways in which culture opens up new pathways to imagine and re-imagine class as an economic relation, an identity category, and a subjective experience. Situated firmly within current debates about the impact of social mobility, precarious work, intersectional structures of exploitation, and interspecies vulnerability, this volume offers a wide-ranging panorama of contemporary class imaginaries.
本书通过典型的案例事实和富有见地的分析,提出了改进绩效管理、提高企业绩效的建议,对于企业管理人士丰富绩效理论和掌握绩效评估实务大有帮助。
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SUNDAY TIMES TOP 10 BESTSELLER 'This gripping biography... Pearson has done uncommonly well to unearth so much.' (Max Hastings, Sunday Times) Roger Bushell was 'Big X', mastermind of the mass breakout from Stalag Luft III in March 1944, immortalised in the Hollywood film The Great Escape. Very little was known about Bushell until 2011, when his family donated his private papers - a treasure trove of letters, photographs and diaries - to the Imperial War Museum. Through exclusive access to this material - as well as fascinating new research from other sources - Simon Pearson, Chief Night Editor of The Times, has now written the first biography of this iconic figure. Born in South Africa in 19...
A comprehensive overview of cult movies that profiles cult films from every genre and includes trivia about films, actors, producers, and backstage happenings.
Strategic Partnering - remove chance and deliver consistent success - is designed to take the guesswork out and provide you with a ground-breaking and fully encompassing system of rules and processes, to make your partnering strategy a vitally important and transformational reality. Supported by invaluable insights from a wealth of senior leaders across a range of leading global organizations, the book introduces a comprehensive and practical new model of demonstrated methodologies, to remove chance from the partnering process and help you target 100 per cent success. Whether you are a government official, board member, CEO, senior executive, account or procurement leader, marketer or a manager involved in value added relationships within your organization, then this book could be the 'vade mecum' to the development of your successful strategic partnering strategy and prove deeply 'transformational' to the way you think about, run and create value in your organization or business.
The author provides a decade-by-decade analysis of every film ever made in Britain about World War II. It provides a comprehensive account of how Britain has portrayed the war through films.
Best friends Harper Waddle, Sophie Bushell, and Kate Foster committed the ultimate suburban sin: bailing on college to pursue their dreams. Middlebury-bound Becca Winsberg was convinced her friends had gone insane until they reminded her she just might have a dream of her own. Now the year is half-way through and their dreams seem within reach. Well, almost. Harper has managed to gain the freshman fifteen without ever being a freshman, though locked in her basement bathroom she finds inspiration and finally seems to be writing from the heart. Sophie is forced to leave her cushy Beverly Hills quarters and crashes on Sam's couch while looking for her big Hollywood break. Kate is doing aid work in Ethiopia, where she encounters family ghosts - along with Darby, the handsome but antagonistic Princeton student who thinks she's a dumb blonde who couldn't possibly care about Ethiopia "since there are no celebrities here." And when Becca finally emerges from her lovers' nest, it seems her relationship with Stuart isn't as perfect as she thought. Even if "the year that changed everything" has sometimes been less than dreamy, these four best friends will always have each other.