You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. What is autism and where has it come from? Increased diagnostic rates, the rise of the 'neurodiversity' movement, and growing autism journalism, have recently fuelled autism's fame and controversy. The metamorphosis of autism is the first book to explain our current fascination with autism by linking it to a longer history of childhood development. Drawing from a staggering array of primary sources, Bonnie Evans traces autism back to its origins in the early twentieth century and explains why the idea of autism has always been controversial and why it experienced a 'metamorphosis' in the 1960s and 1970s. Evans takes the reader on a journey of discovery from the ill-managed wards of 'mental deficiency' hospitals, to high-powered debates in the houses of parliament, and beyond. The book will appeal to a wide market of scholars and others interested in autism.
Mensah's work challenges dominant modes of masculinity, and disrupts the elitism of poetry through its accessible, honest, raw and intimate language and rhythms. Free from the constraints of convention, Mensah writes in his own, unique voice, layered with rhythm and surreal imagery, unified by its fearless commitment to emotional honesty and its openness about the power and cost of creativity. Safe Metamorphosis explores the transformations experienced in everyday life and the unspoken traumas caused by the uprooting of self as we are thrusted from one identity-building state to another. The trauma of leaving school, 'growing up', the demise of a romantic relationship, the loss of faith in a...
We live in a world that is increasingly difficult to understand. It is not just changing: it is metamorphosing. Change implies that some things change but other things remain the same capitalism changes, but some aspects of capitalism remain as they always were. Metamorphosis implies a much more radical transformation in which the old certainties of modern society are falling away and something quite new is emerging. To grasp this metamorphosis of the world it is necessary to explore the new beginnings, to focus on what is emerging from the old and seek to grasp future structures and norms in the turmoil of the present. Take climate change: much of the debate about climate change has focused...
None
After the harrowing experience of the pandemic and lockdown, both states and individuals have been searching for ways to exit the crisis, many hoping to return as soon as possible to ‘the world as it was before the pandemic’. But there is another way to learn the lessons of this ordeal: as inhabitants of the earth, we may not be able to exit lockdown so easily after all, since the global health crisis is embedded in another larger and more serious crisis – that brought about by the New Climate Regime. Learning to live in lockdown might be an opportunity to be seized: a dress-rehearsal for the climate mutation, an opportunity to understand at last where we – inhabitants of the earth ...
With a young population of more than 52 million, an ambitious roadmap for political reform, and on the cusp of rapid economic development, since 2010 the world’s attention has been drawn to Myanmar or Burma. But underlying recent political transitions are other wrenching social changes and shocks, a set of transformations less clearly mapped out. Relations between ethnic and religious groups, in the context of Burma’s political model of a state composed of ethnic groups, are a particularly important “unsolved equation”. The editors use the notion of metamorphosis to look at Myanmar today and tomorrow—a term that accommodates linear change, stubborn persistence and the possibility of dramatic transformation. Divided into four sections, on politics, identity and ethnic relations, social change in fields like education and medicine, and the evolutions of religious institutions, the volume takes a broad view, combining an anthropological approach with views from political scientists and historians. This volume is an essential guide to the political and social challenges ahead for Myanmar.
This visually stunning publication celebrates a unique collaboration between two of the UKs leading cultural institutions, the National Gallery and The Royal Ballet. Together they commissioned three contemporary artists Chris Ofili, Conrad Shawcross and Mark Wallinger to work with international choreographers and composers to create three new ballets inspired by Titian's paintings Diana and Actaeon, 'The Death of Actaeon' and 'Diana and Callisto'. As well as designing all the sets and costumes, the artists also produced entirely new works in response to Titians masterpieces for a show at the National Gallery. The book tells the story of this extraordinary, complex project from conception to stage and gallery. The artists notebooks, sketches and other material from the studio are reproduced to show how they evolved their initial ideas into working designs. Exhibition: National Gallery, London, UK (11.7.-23.9.2012).
This book is a modern investigation of an ancient virtue, inspired by a group for stage-frightened musicians in 1940s Manhattan. Coinciding with the terrifying height of World War Two, it was called The Society of Timid Souls. Seventy years later, as fear about everything from terrorism to economic meltdown has become part of our daily lives, Polly Morland reconvenes the society, setting out to discover what it means to be brave in an age of anxiety. Her journey-and this book-is full of amazing people and surprising ideas. It explores how and why people are brave, from battlefield to hospital ward, circus tightrope to suburban street, disaster zone to political protest. It throws light on some of the myths and lies that surround our favourite virtue. And most of all, it asks can we learn to be brave?
First multi-year cumulation covers six years: 1965-70.