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Cities of the Arabian Peninsula reveal contradictions of contemporary urbanization The fast-growing cities of the Persian Gulf are, whatever else they may be, indisputably sensational. The world’s tallest building is in Dubai; the 2022 World Cup in soccer will be played in fantastic Qatar facilities; Saudi Arabia is building five new cities from scratch; the Louvre, the Guggenheim and the Sorbonne, as well as many American and European universities, all have handsome outposts and campuses in the region. Such initiatives bespeak strategies to diversify economies and pursue grand ambitions across the Earth. Shining special light on Dubai, Abu Dhabi, and Doha—where the dynamics of extreme u...
Fabricate 2024: Creating Resourceful Futures is the fifth volume in the series of Fabricate publications. The first conference – ‘Making Digital Architecture’ – explored the ways in which technology, design and industry are shaping the world around us. Since then, we have become finely attuned to the negative impacts of this shaping. The 2024 conference, hosted in Copenhagen, sets focus on the pressing need to develop new models for architectural production that rethink how resource is deployed, its intensity, its socio-ecological origins and sensitivity to environment. This book features the work of designers, engineers and makers operating within the built environment. It documents disruptive approaches that reconsider how fabrication can be leveraged to address our collective and entangled challenges of resource scarcity, climate emergency and burgeoning demand. Exploring case studies of completed buildings and works-in-progress, together with interviews with leading thinkers, this edition of Fabricate offers a plurality of tangible models for design and production that set a creative and responsible course towards resourceful futures.
Both architecture and anthropology emerged as autonomous theoretical disciplines in the 18th-century enlightenment. Throughout the 19th century, the fields shared a common icon—the primitive hut—and a common concern with both routine needs and ceremonial behaviours. Both could lay strong claims to a special knowledge of the everyday. And yet, in the 20th century, notwithstanding genre classics such as Bernard Rudofsky’s Architecture without Architects or Paul Oliver’s Shelter, and various attempts to make architecture anthropocentric (such as Corbusier’s Modulor), disciplinary exchanges between architecture and anthropology were often disappointingly slight. This book attempts to l...
"The Louisiana Museum of Modern Art lies by the Øresund ('the Sound'), the narrow strait between Denmark and Sweden, with the corridors and galleries of the buildings extending towards the sea. The Sculpture Park is between the building and the coast, and underscores the interaction of art, architecture and landscape"--From introduction.
"The second publication in the Louisiana Library series, from Denmark's Louisiana Museum of Modern Art, is an in-depth look at that institution's impressive Asger Jorn collection. Jorn, a founding member of COBRA (an acronym for Copenhagen, Brussels and Amsterdam), remains one of Denmark's most influential painters. He was also a founding member, with Guy Debord, of the Situationist International (SI). There has been a tendency to view Debord as the sole motivating figure behind the SI, but while Debord's role was indisputably central, Jorn's influence should not be underestimated. In his four years of activity with the group (1957-1961), Jorn not only continued to make some of his best paintings, he also assisted in the editing of the movement's journal, Internationale Situationniste. This volume provides an introduction to the life and work of this key figure of the European postwar art scene and is illustrated with color reproductions of the museum's entire Jorn collection." --Book Jacket.
The comprehensive first monograph on Indian architect Anupama Kundoo The fourth volume in the book series The Architect's Studio presents the Indian architect Anupama Kundoo (born 1967). Kundoo is a much-revered architect whose work aims to shed light on a scarce resource in our life: time. Kundoo sees time as a forgotten resource in architecture. Constructed as a journey through time, this volume explores how Kundoo integrates traditional Indian building customs, crafts and materials into her current works. In general, Kundoo is concerned with using as few material resources as possible in her architecture, and is attentive to traditional building methods. A perfect distillation of her working methods can be found in the house she built for herself outside the community of Auroville, India. The house, constructed of terracotta, brick, concrete and wood, creates a seamless transition on a human scale between the interior and the exterior with elements of both mirroring each other within and without.
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The third volume of the series The Architect?s Studio focuses on Tatiana Bilbao?s exploration of the landscape: from the territory of Mexico over the urban to the interior landscape of the individual building, always taking social conditions into account. This is also demonstrated in Bilbao?s various projects such as the architectural design of a pilgrimage route, a botanical garden in the Mexican main trading center Culiacán, and not least the Light of Line, which is intended to enable women in particular to move more safely in remote districts of the city. In constant collaboration with experts from various disciplines, Bilbao wants to create architecture that has a direct impact on its users.00The publication also provides insights into the Mexican cultural, artistic, and building traditions that Bilbao incorporates into her projects. The volume addresses the question of the use of collages in architecture and embeds Bilbao?s work in a contemporary as well as a historical context.00Exhibition: Louisiana Museum of Modern Art, Copenhagen, Denmark (18.10.2019 - 09.02.2020).