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Dog Eat Dog
Bon turned up with two bottles of bourbon, some dope and some speed. When Angus saw this stash, he said to Malcolm, 'If this guy can walk, let alone sing, it's going to be something.' Michael Browning first spotted AC/DC in September 1974. They were raw and rough, and much of the crowd, Michael included, was bewildered by the flashy guitarist dressed as a school kid. But Michael knew they had something - a blistering sound, killer songs and a wildly charismatic stage presence. Within a week he'd signed them to a management contract and duly embarked on a shared journey that within five years would take them to international prominence. A young street kid with an uncanny ear for music, Michae...
The Poetical Works of Robert Browning: Volume IV
`Browning really comes back to life in the marvellous third volume of the new Oxford Browning', wrote John Bayley, choosing it as one of his Books of the Year for 1988. While Volume III included six of the eight Bells and Pomegranates pamphlets, the present volume completes the series and includes the most remarkable of all, Dramatic Romances and Lyrics. Here we find `Pictor Ignotus', `The Lost Leader', `The Bishop orders his Tomb', `The Laboratory', `The Boy and the Angel', and the first part of `Saul'. Also included are Christmas-Eve and Easter-Day and the essay on Shelley. As the Times Literary Supplement reviewer of the earlier volumes commented, `readers of a poet like this need all the help they can get; and Jack and Smith have provided it in abundance.' Each poem is fully annotated, and accompanied by a detailed introduction which provides information on the chronology of composition and on Browning's sources.
Robert Browning's Rondures Brave
Browning's Fra Lippo Lippi says that we may pass things a hundred times and never see them. One thing that Browning's readers have passed without seeing, or at least without remarking upon, is the circular conclusion in so many of his poems. Some sixty poems (almost a third of them) have such conclusions. These sixty span his entire career and include both well-known and neglected poems. The circular conclusion is so called because it returns to the introduction -- circles back round to it -- by repeating something from the introduction. Although in principle this rhetorical device is quite simple, in practice Browning works many and complex variations on it. Also, by incorporating this repe...
The Poetical Works of Robert Browning
Volume 15 in The Complete Poetical Works of Robert Browning presents poetry Browning wrote in his seventies, his last two volumes: Parleyings (1887) and Asolando (1889). The former is the poet's last sustained meditation on life and on his times, a nine-section credo covering religion, history, poetry, politics, art, and music. Asolando is a coda to his whole oeuvre, a mixture of short love lyrics, historical monologues and anecdotes, light verse, and poems which are quite sui generis, all grouped around the theme of 'fancies and fact'. Both volumes are presented here with previously unknown sources, a wealth of new contextual material, and many textual nuances clarified, giving a fresh view of the last phase of Browning's career. What emerges is a poet more seriously Christian, Protestant, and Liberal than previously supposed, more interested in Britain's destiny and Empire, more enmeshed in the local battles of the 1880s?and a writer of considerable range and wit.
Changing Concepts of the Nervous System
Changing Concepts of the Nervous System, presents the proceedings of the First Institute of Neurological Sciences Symposium in Neurobiology, held at the University of Pennsylvania in October 1980. The book is divided into four parts consisting of mini symposia on different aspects of the neurosciences. The first mini symposia discuss the anatomical, physiological, developmental, and behavioral plasticity of the nervous system. The second mini symposia cover the changing concepts of the central visual system. The idea of the biological basis of the concept of motivation and its behavioral manifestations from both theoretical and experimental aspects is examined in the third mini symposia. The final mini symposia tackle the four aspects of studies on memory: amnesia (consolidation and retrieval), the role of catecholamines, the role of proteins, and the role of peptides. Anatomists, neurobiologists, neuroscientists, and students and researchers in the field of neuroscience will find the book invaluable.
