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A student at the Royal College of Art in the early 1960s alongside Patrick Caulfield, David Hockney, R. B. Kitaj and Allen Jones, Buhler was doubtless one of the so-called 'New Generation' of British artists keen to embrace the latest developments in art. The combination of figuration, abstraction and a restricted palette in the distinctive figure-in-landscape works which came to define Buhler's oeuvre were clearly informed by Pop and Op Art and Colour-Field Painting. Buhler's favoured subjects include abstracted landscapes, UFOs and extra-terrestrials, mass-tourism and street scenes by night. Whilst these themes often lend themselves to humour, there is also a darker underside to Buhler's work, as is clear in his highly original upper-world/under-world box constructions.
Handbook of ICC Arbitration provides expert analysis of the whole process of using and adhering to the ICC Arbitration Rules. It examines close up the diverse issues that can occur during an arbitration and hosts essential information related to arbitration on an international level with reference to published and unpublished awards and procedural orders, as well as to many decisions of national courts.
In an age when religion and spirituality have moved to the periphery of Western culture, The Burden of Light reveals characters who find themselves confronted by grace and a transcendent, eternal presence that is the backdrop to their lives. Characters in this collection of eight short stories include a young man who spends three years alone in the wilds of Northern Ontario, wrestling with divine presence; a homeless teenager whose soul is drawn to divine beauty despite her drug addiction; a wealthy woman who feels the presence of grace stirring her soul, but turns back to a confined existence she trusts; and two children who encounter the mystery of evil.
An original and timely exploration of the continuing Islamization of Indonesian politics despite the electoral decline of Islamist parties.
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The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
"Presents the mystery of aliens, including current theories and famous encounters"--Provided by publisher.
"Describes aliens and alien encounters, including history and current research"--Provided by publisher.
The ubiquity of digital images has profoundly changed the responsibilities and capabilities of anyone and everyone who uses them. Thanks to a range of innovations, from the convergence of moving and still image in the latest DSLR cameras to the growing potential of interactive and online photographic work, the lens and screen have emerged as central tools for many artists. Vision Anew brings together a diverse selection of texts by practitioners, critics, and scholars to explore the evolving nature of the lens-based arts. Presenting essays on photography and the moving image alongside engaging interviews with artists and filmmakers, Vision Anew offers an inspired assessment of the medium’s ongoing importance in the digital era. Contributors include Ai Weiwei, Gerry Badger, David Campany, Lev Manovich, Christian Marclay, László Moholy-Nagy, Walter Murch, Trevor Paglen, Pipilotti Rist, Shelly Silver, Rebecca Solnit, and Alec Soth, among others. This vital collection is essential reading for artists, educators, scholars, critics, and curators, and anyone who is passionate about the lens-based arts.