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The words we use to talk about justice have an enormous impact on our everyday lives. As the first in-depth, ethnographic study of language, Talking Criminal Justice examines the speech of moral entrepreneurs to illustrate how our justice language encourages social control and punishment. This book highlights how public discourse leaders (from both conservative and liberal sides) guide us toward justice solutions that do not align with our collectively professed value of "equal justice for all" through their language habits. This contextualized study of our justice language demonstrates the concealment of intentions with clever language use which mask justice ideologies that differ greatly from our widely espoused justice values. By the evidence of our own words Talking Criminal Justice shows that we consistently permit and encourage the construction of people in ways which attribute motives that elicit and empower social control and punishment responses, and that make punitive public policy options acceptable.This book will be of interest to academics, students and professionals concerned with social and criminal justice, language, rhetoric and critical criminology.
DIVA collection of interdisciplinary essays examining the ever-changing communities and discussions connected to American popular music./div
The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed. T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley. David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hosti...
"A very solid and comprehensive collection of essays that allows readers to witness more concretely the variety of forms that the dialogue between literature and the radio has taken in the last century. An outstanding book."--Jean-Michel Rabate, author of Jacques Lacan and Literature "This book is a real gift: its variety of essays in different voices provides an opportunity to get up to speed with the sometimes suprising ways that radio helped to structure modernism, served as a foil for modernist writers and artists, and forced the modernists into a more constructive engagement with issues of elite and popular culture. A lively collection."--Kevin J.H. Dettmar, author of Is Rock Dead? It h...
Story about the quadruple homicide in Des Peres, Mo in Oct 1980. Committed by a mass murderer and serial killer. Multi-national killer and some of the possible crimes connected to him.
Emily Bloom chronicles the emergence of the British Broadcasting Corporation as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. She situates the works of W.B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works.
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There are nearly two million inmates in America today. Are there better alternatives to incarceration? Criminal Justice: Retribution vs. Restoration presents new answers and unconventional suggestions addressing America’s overcrowded prisons and jails, high recidivism rates, and weakened family and community relationships with ex-prisoners. Experts in the field discuss the benefits and failures of America’s criminal justice system at various times in history and today, then explore possibilities to improve on that system. This groundbreaking book introduces encouraging, therapeutic approaches to criminal justice that include treatment, rehabilitation, and the direct involvement the victi...
An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of la...