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Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degra...
Take the ferry to this New York City borough and discover its colorful secrets, in a quirky history packed with facts and photos. Staten Island has a rich and fascinating cultural legacy that few people outside New York City's greenest borough know about. Chewing gum was invented on the island with the help of Mexican general Antonio López de Santa Anna. Country music legend Roy Clark got his start as a virtuoso guitar player on the Staten Island Ferry. Anna Leonowens, who worked with the king's children in the Court of Siam and was the basis for The King and I, came back to Staten Island to write about her experiences and run a school for children. Join native Staten Islanders Theresa Anarumo and Maureen Seaberg as they document the hidden history of the borough with these stories, and many more
This text closely examines Pietro DiDonato's classic novel Christ in Concrete from an historical, sociological and literary perspective. Louise Napolitano examines Christ in Concrete (1939) as a chronicle of the experience of Italian immigrants in the United States during the twenties and early thirties. The literary analysis involves a thematic and stylistic study, focusing on the work's modern, realistic, naturalistic, romantic and classic qualities. In addition, this study places Christ in Concrete in both the American as well as the Italian American literary tradition.
Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a model of religion that moves in a reciprocal relationship between these two poles. In particular, this volume dedicates itself to a reading of religion and of religious meaning that cannot be reduced to history or ideology on the one hand or to truth or spirit on the other, but is rather the product of the constant play between the historical particulars that manifest beliefs and the beliefs that take shape through them. Taking as their point of departure the foundational scholarship of Sacvan Bercovitch, the contributors locate the universal i...
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