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A New History of German Cinema
A dynamic, event-centered exploration of the hundred-year history of German-language film. This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief sect...
Visualizing the Holocaust
Collection of essays exploring the controversies surrounding images of the Holocaust
The Polus Family of Green Lake and Marquette Counties, Wisconsin 1771-2009
This is a genealogical listing of the descendants of the Polus family in Green Lake and Marquette Counties, Wisconsin.
The Marchel Family of Green Lake and Marquette Counties, Wisconsin and Cook County, Illinois 1807-2009
This is a genealogical listing of the Marchel family who immigrated to Wisconsin in the 1872.
The Czarapata Family of Green Lake and Marquette Counties, Wisconsin and Cook County, Illinois 1816-2009
A genealogical listing of the Czarapata family in Green Lake & Marquette Counties, Wisconsin and Cook County, Illinois.
Revolutionary Theater and the Classical Heritage
This study analyzes the work of three prominent proletarian-revolutionary dramatists at the end of the Weimar Republic. The work of Bertolt Brecht, Friedrich Wolf, and Gustav von Wangenheim is looked at against the backdrop of debates among Marxist intellectuals and artists. Through a discussion of theatrical theory and close readings of individual plays, this work examines the authors' unique aesthetics and their enactment of a critical appropriation of the German literary heritage. It also investigates their attempts to transform the audience's relationship to the theatrical production from a passive-receptive to an active-critical one. This volume offers insights into larger questions of political and cultural continuity that characterized the Weimar and the postwar periods.
Lewis Fry Richardson: His Intellectual Legacy and Influence in the Social Sciences
This is an open access book. Lewis F Richardson (1981-1953), a physicist by training, was a pioneer in meteorology and peace research and remains a towering presence in both fields. This edited volume reviews his work and assesses its influence in the social sciences, notably his work on arms races and their consequences, mathematical models, the size distribution of wars, and geographical features of conflict. It contains brief bibliographies of his main publications and of articles and books written about Richardson and his work and discusses his continuing influence in peace research and international relations as well as his attitude to the ethical responsibilities of a scientist. It wil...
Surrealism and Cinema
Surrealism has long been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. Most of the critical literature, however, focuses either on the 1920s or the work of Buuel. The aim of this book is to open up a broader picture of surrealism's contribution to the conceptualisation and making of film.Tracing the work of Luis Buuel, Jacques Prvert, Nelly Kaplan, Walerian Borowcyzk, Jan vankmajer, Raul Ruiz and Alejandro Jodorowsky, Surrealism and Cinema charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to the present day. At once a critical introduction and a provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and art and the history of film.
Installation Art and the Practices of Archivalism
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Mirosław Bałka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.
