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"NOW LEAVES describes leaving and having left. Glossolalia like, against noise, about the bones of a writing, written in tongue graphics legible by reason of the trees with as many words as there are leaves. The percussion of these leaves is f***ing news. The percussion of these leaves is not his news. The percussion of these leaves is not her news. The percussion of these leaves is definitely not their news. NOW LEAVES presents itself as a block. Physically it adopts the scale of a human hand, its weight present, its structure flexible, almost human. The pages fall loosely apart to reveal dense black graphics ? letters shaped as tongues, twisted to form barely legible words. Each page inscr...
'Like a master class in memoir writing. Honest, perceptive and properly funny' Neil Gaiman 'A wonderful and very special book' Adam Kay, author of This is Going to Hurt 'Glamorous. Heart-breaking. Hilarious. Feminist. Life-changing' Katherine Ryan 'Heartwarming and heartbreaking all at the same time! Genuinely couldn't put it down' Alan Carr 'Incredibly moving, always funny and brilliantly written. I urge everyone to read it' Frank Skinner 'I can't begin to express how much I love it' Caroline Criado-Perez, author of Invisible Women 'LOVELY. Sad and funny and warm and DOGS' Marian Keyes 'I read it in one sitting - it's so blinking good' Lorraine Kelly 'Funny, sparklingly honest and heart-bre...
"Intensely moving and heart-warming" Cosmo "Bold" Guardian "I loved every word" Malorie Blackman This is not about being ready, it's not even about being fierce, or fearless, IT'S ABOUT BEING FREE. Michael waits in the stage wings, wearing a pink wig, pink fluffy coat and black heels. One more step will see him illuminated by spotlight. He has been on a journey of bravery to get here, and he is almost ready to show himself to the world in bold colours ... Can he emerge as The Black Flamingo? WINNER OF THE STONEWALL BOOK AWARD SHORTLISTED FOR THE CILIP CARNEGIE MEDAL SHORTLISTED FOR THE JHALAK BOOK PRIZE *The paperback edition has beautiful gold foil added to the striking cover design*
This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of "oriental" medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in ...
Late-night texts. Mixed signals. Dead-end relationships. This doesn’t have to be your love life. Welcome to dating in the digital world—where phone conversations followed by dinner and a movie have been replaced by last-minute texts, ambiguous relationships, and vague group hangouts. While technology makes it faster and easier to connect than ever before, it has also created confusion . . . And heartbreak. Ruthie and Michael Dean have heard the same story from thousands of women: the disappearing men, the cryptic messages, the disappointing relationships, and the false intimacy of on-screen connection. In a no-holds-barred narrative style, the husband-and-wife team chronicles their dating mishaps, hilarious attempts to find love, and many mistakes—helping women understand just what men are thinking and how to attract Mr. Right. Real Men Don’t Text offers game-changing perspectives, bringing a fresh approach to love, sex, and dating. You don’t need to spend one more night staring at a phone screen. It’s time to take back your love life!
The great eighteenth century portraitist comes to life in this “gritty, bawdy and funny” rags to riches novel told in the voice of the artist himself (The New York Times). William Hogarth was London’s artist par excellence, and his work—especially his satirical series of “modern moral subjects”—supplies the most enduring vision of the ebullience, enjoyments, and social iniquities of the eighteenth century. And in I, Hogarth, he tells a ripping good yarn. From a childhood spent in a debtor’s prison to his death in the arms of his wife, Hogarth recounts the incredible story of how he maneuvered his way into the household of prominent artist Sir James Thornhill, and from there to become one of England’s best portrait painters. Through his marriage to Jane Thornhill, his fight for the Copyright Act, his unfortunate dip into politics, and his untimely death, “the voice in which Dean’s Hogarth tells his own story is rich and persuasive . . . Like stepping into a Hogarth painting” (The New York Times). “A brilliant exercise in imagination and storytelling.” —Kirkus Reviews (starred review)
Legendary Rat Pat singer and actor Dean Martin has perhaps become even more respected since his death. Today fans of all ages download his songs from the Net and purchase his recordings on CD. His extraordinary renaissance is detailed in this absorbing biography of the man the world knew as the eternal essence of cool. From his early days as a trainee boxer to work as a croupier in the local casino, where he proved to be a big hit with the women who frequented his table, this compelling biography dispels the myths about the consummate professional who worked hard to cultivate a reputation for laziness. Michael Freedland has had exclusive access to Martin's family and friends, including some who have never spoken of Dino before. Freedland takes an indepth look at Martin's career, as well as his lifelong friendship with Frank Sinatra, his chronic claustrophobia and his manic fear of hospitals. Here at last is the truth behind the iconic singer, including his three failed marriages and the reconciliation with Jeanne, his second wife.
Filmmaking is entering a new era. Mini-DV filmmaking is the new folk music, the new punk rock, the new medium in which anyone can tell their story. "$30 Dollar Film School, Second Edition" is an alternative to spending four years and a hundred-thousand dollars to learn the filmmaking trade. It is influenced by punk rock's "Do-it-Yourself" spirit of just learning the basics and then jumping up on a stage and making a point; and by the essence of the American work ethic. This new edition of the bestselling title includes new, improved, and updated chapters on video and audio editing, plus a companion DVD-Rom loaded with movies, shorts, and trailers from "graduates" of the first edition.