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Damned If I Do
Damned If I Do is a set of brilliantly postmodern short stories from Percival Everett, author of The Trees, Dr No and Erasure, now an Oscar-nominated film. An artist, a cop, a cowboy, several fly fishermen and even a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets and a sexual identity problem. Everett skewers race, class, identity, surrealism and much more in this masterful short story collection from one of America's most inventive living writers. Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature.
What Brothers Do
"What Brothers Do" is the true story of two brothers. The first is Captain Patrick Brown, a highly decorated and well respected member of the New York City Fire Department, who was killed in the World Trade Center attacks of 9/11. The second is Michael Brown, a former New York City firefighter and presently a Las Vegas emergency medicine physician. The story takes the reader on Michael 's journey back to New York and Ground Zero in the desperate search for his brother and his experiences through post 9/11 New York. Michael is told by all who knew his brother that if anyone could get out of the Towers alive it would be Patrick. As he slowly loses hope of finding his brother alive, Michael cha...
The Black Man
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Boston Directory
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British Film Catalogue
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
Changing the Tune
Even though the potential passage of the Equal Rights Amendment had cracked glass ceilings across the country, in 1978 jazz remained a boys’ club. Two Kansas City women, Carol Comer and Dianne Gregg, challenged that inequitable standard. With the support of jazz luminaries Marian McPartland and Leonard Feather, inaugural performances by Betty Carter, Mary Lou Williams, an unprecedented All-Star band of women, Toshiko Akiyoshi’s band, plus dozens of Kansas City musicians and volunteers, a casual conversation between two friends evolved into the annual Kansas City Women’s Jazz Festival (WJF). But with success came controversy. Anxious to satisfy fans of all jazz styles, WJF alienated som...
New Civil Engineer
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