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Das Schaltbild
Es gibt eine Philosophie des Films und auch der Fotografie, aber bisher keine des Fernsehens, obwohl es sich dabei fraglos um das wichtigste und bis heute wirkmächtigste Bildregime der Gegenwart handelt. Lorenz Engell unterzieht es nun einer zugleich technikphilosophischen, ontologischen, ästhetischen und anthropologischen Lektüre. Die Entstehung und die Struktur auch der aktuellsten Bildwelten erscheint vor diesem Hintergrund in einem neuen Licht. Das Schaltbild betrachtet das Fernsehen als das, was auf dem Bildschirm und jenseits davon geschieht und damit vor allem als Operation des Schaltens von Bild zu Bild. Es schlägt so eine neue Definition des Fernsehens als das erste Bild vor, da...
The Switch Image
Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridg...
A History of the Michael Reasor and Allied Families
Michael Reasor (1760-1843), a Revolutionary War soldier, was born at Winchester, Virginia, the son of Michael Reasor (1735-1829), and a descendant of Wellington Reasor, immigrant of 1653. He married Anna Herbert (1760-1847) at Winchester in 1782. They had eleven children, 1782-1805. The family migrated to Spencer County, Kentucky, in 1797. He died at Little Mountain, Spencer County, Kentucky, and is buried in the Little Mountain Cemetery. Descendants lived in Kentucky, Utah, Idaho, Texas, Kansas, Indiana, Illinois, and elsewhere.
