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Equipped with cultural tools like cell phones, computers and video cameras, youth are called upon to improvise and construct themselves symbolically in a continuously connected world; yet new teachers and students are still expected to learn and deliver standardized, placeless forms of scripted curriculum. This volume argues for improvisation as an approach to curriculum that recognizes the fundamentally creative aspects of learning that are often marginalized in communities of disadvantage. It provides interesting possibilities for schools that are working hard to keep up with technological, economic and cultural change, and argues for an improvised middle ground between structure and creativity. This volume outlines a two-year research project performed in a Canadian middle school, where school staff used student filmmaking as a way to expand teachers’ conceptions of literacy. It analyzes the response of students and parents as well as the student teachers that brought the program to the school. The improvisational techniques used while making the films paved the way for larger benefits of curricular improvisation to be explored.
This book discusses key works by important writers from Church of Ireland backgrounds (from Farquhar and Swift to Beckett and Bardwell), in order to demonstrate that writers from this Irish subculture have a unique socio-political viewpoint which is imperfectly understood. The Anglican Ascendancy was historically referred to as a “middle nation” between Ireland and Britain, and this book is an examination of the various ways in which Irish Anglican writers have signalled their Irish/British hybridity. “British” elements in their work are pointed out, but so are manifestations of their proud Irishness and what Elizabeth Bowen called her community’s “subtle ... anti-Englishness.” Crucially, this book discusses several writers often excluded from the “truly” Irish canon, including (among others) Laurence Sterne, Elizabeth Griffith, and C.S. Lewis.
For more than 20 years, Network World has been the premier provider of information, intelligence and insight for network and IT executives responsible for the digital nervous systems of large organizations. Readers are responsible for designing, implementing and managing the voice, data and video systems their companies use to support everything from business critical applications to employee collaboration and electronic commerce.
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Brings together leading scholars to examine the literature, scholarship and research of drama education, and to consider future directions for practice and research.
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"Frame Relay" delivers an up-to-date, practical, comprehensive look at frame relay for network professionals in end-user organizations. Network managers can learn what it takes to migrate to a frame relay network; how to configure, manage and troubleshoot frame relay; and more.
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On 28 November 2010, the Irish government infamously agreed to a bailout from the Troika to save Ireland’s failing economy. This decision had huge and long-lasting social implications for Ireland and her people, and led to the annihilation of Fianna Fáil and its allies in the 2011 general election. In 'Hell at the Gates', Brian Cowen, the late Brian Lenihan, Eamon Ryan, Micheál Martin, Mary Harney and many others, recount for the first time in their own words the inside story behind the actions of the most hated government in living memory. The result is a deeply honest, intensely personal and revelation-strewn account of their experiences in the white heat of an economic meltdown. It re...