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'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged. Shortlisted for the Costa Book Awards, My Father's Fortune sets out to rediscover that lost land before all trace of it finally disappears beyond recall. As Frayn tries to see it through the eyes of his parents and the others who shaped his life, he comes to realise how little he ever knew or understood about them. This is above all the story of his father, the quick-witted boy from a poor and struggling family, who overcame disadvantages and shouldered many burdens to make a go of his life; who found happiness, had it snatched away from him, and in the end...
Shortlisted for the Man Booker Prize Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into this moral and intellectual labyrinth, events start to spiral out of control . . . Shortlisted for the Man Booker Prize, Whitbread Novel Award and the James Tait Black Memorial Prize for fiction, Headlong is an ingeniously comic thriller that follows a young philosophy lectuerer's obsessive race through the art world in search of an elusive masterpiece. Michael Frayn's other novels include Spies, which won the Whitbread Best Novel award, and Skios, which was longlisted for the Booker Prize.
'Easily the most original thing Frayn has done . . . written with elegant simplicity.' New Statesman Uncumber lives at a time in the distant future when all humanity is divided in two - the Insiders and the Outsiders. The Insiders are privileged, with their every need catered to by somatic drugs, three-dimensional holovision and a prolonged life. Uncumber lives in this luxurious world and is told that she must never go out into the dust and disease of the real world. Uncumber, however, is haunted by a restless and inquisitive spirit. When she falls in love with an Outsider, she decides to go exploring ... 'A fairy tale of the future.' Guardian
Ever since an obscure Civil Servant called Stephen Summerchild fell to his death from a window in the Admiralty, rumours have circulated about a connection with some secret defence project. Now, as a television company reinvestigates the case, the Cabinet Office feels it may be prudent to make a reassessment of its own, in case of any sudden alarm at Number Ten. ' A Landing on the Sun is not just a masterly novel in its own right, but a clever debunking of those off-the-peg Whitehall yarns ... Many novelists have tried to take the lid off the arcane world of the Civil Service. Frayn has done it as brilliantly and imaginitively as any of them.' Daily Telegraph 'Comedy creeps up on A Landing on the Sun like bindweed, transforming what starts out as a thriller into a small masterpiece of the absurd.' Financial Times
Matchbox Theatre presents a sketch show in miniature: thirty short entertainments by Michael Frayn, author of Skios and Noises Off, 'the funniest farce ever written' (New York Times). Thirty snatches of people talking. To each other, to the world at large, to themselves, to no one. Heard, unheard. Overheard, half-heard. On telephones, into microphones. In a crypt, an airport, an orchestra pit. These tiny plays are offered here for performance in the smallest theatre in the world: the theatre of your own imagination. The scripts are provided. Everything else - casting, set design, ice cream sales - is up to you . . . 'Michael Frayn is the most philosophical comic writer - and the most comic philosophical writer - of our time.' Michael Arditti, Daily Mail
In the quiet cul-de-sac where Keith and Stephen live the only immediate signs of the Second World War are the blackout at night and a single random bombsite. But the two boys start to suspect that all is not what it seems when one day Keith announces a disconcerting discovery: the Germans have infiltrated his own family. And when the secret underground world they have dreamed up emerges from the shadows they find themselves engulfed in mysteries far deeper and more painful than they had bargained for. 'Bernard Shaw couldn't do it, Henry James couldn't do it, but the ingenious English author Michael Frayn does do it: write novels and plays with equal success ... Frayn's novel excels.' John updike, New Yorker 'A beautifully accomplished, richly nostalgic novel about supposed second-world-war espionage seen through the eyes of a young boy.' Sunday Times 'Deeply satisfying . . . Frayn has written nothing better.' Independent
First published in 1974 and republished following the success of Frayn's masterly work of philosophy, The Human Touch, Constructions is a dazzling, thought-provoking and fascinating book which explores some of the great problems in philosophy and of everyday life.
Winner of the Evening Standard Best Comedy Award after its long run at the Hampstead Theatre and on the West End in 1975, Alphabetical Order is set in the library of a provincial newspaper where battle is joined between the forces of order and chaos, between arid organisation in the person of the new library assistant, Leslie, and humane confusion in the person of Lucy, the much-loved resident librarian. Drawing on his experience as a journalist, Frayn draws his gallery of characters with the hilarious accuracy which can only come from first-hand experience. This edition features the author's revised version of the script presented at the Hampstead Theatre in April 2009.
“As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality.” The Guardian A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill. Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees. Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written. Winner of both Olivier and Evening Standard Awards for Best Comedy. This edition features a new introduction by Michael Blakemore.