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WITH AN INTRODUCTION BY TERRY GILLIAM When Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.
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See? All we need is... a map and...some kind of plan. This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar, falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of. . .
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What does it mean to read one nation's literature in another language? The considerable popularity of Russian literature in the English-speaking world rests almost entirely upon translations. In The Translator and the Text, Rachel May analyzes Russian literature in English translation, seeing it less as a substitute for the original works than as a subset of English literature, with its own cultural, stylistic, and narrative traditions.
Documenting the Documentary features essays by 27 film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation-but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we increasingly perceive and comprehend the world through visual media, understanding the textual strategies by which individual documentaries are organized has become critically important. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balance between theory and criticism, abstract conceptualization and concrete analysis.
"Beyond their acute depiction of life in the Soviet Union, Yuri Trifonov's novellas offer an extraordinarily rich literary encounter in the tradition of great nineteenth-century Russian writing. "Another Life" is the story of Olga, a woman suddenly widowed and attempting to grasp the memory of her brilliant, erratic husband and to understand their life together. Possessed with a passion for truth, able to appreciate how the past affects the present, he could not hope to flourish in a society where intrigue and moral compromise were the norm." "A sharp, satirical portrait of an academic opportunist, "The House on the Embankment" is paradoxically laced with compassion and humor. Vadim Alexandrovich Glebov rises from shabby origins to become an apparatchik yet in so doing suffers his share of oppression - from society, from former friends, and, most significantly, from his total inability to make decisions." --Book Jacket.
This is a wonderful collection of stories about doctors and patients, including many by world-famous authors who were also physicians, such as Oliver Sacks, Anton Chekhov and Arthur Conan Doyle. Always moving, entertaining and informative, and sometimes troubling, these remarkable stories will appeal to anyone with an interest in health, illness and medical care. They also provide essential core material for those studying doctor-patient communication, the literature of medicine and medical humanities. The stories, some written from the doctor's viewpoint, some from that of the patient, illuminate the warmth and compassion - but also the many problems - in relationships between doctors and patients, both in the past and today. Doctors and Patients: an anthology is enjoyable, fascinating and enlightening - for oneself, and for friends and partners, whether healthcare professionals or interested general readers.
A new look at modernism's relationship to human feeling and the public sphere
Unavailable for twenty years, this harrowing allegory of obedience to authority is esteemed as “one of the defining literary texts of the post-Stalin period.” (The Guardian) Set in a remote Siberian depot immediately following the demolition of one of the gulag’s notorious camps and the emancipation of its prisoners, Faithful Ruslan is an embittered cri de coeur from a writer whose circumstances obliged him to resist the violence of arbitrary power. “Every writer who writes anything in this country is made to feel he has committed a crime,” Georgi Vladimov said. Dissident, he said, is a word that “they force on you.” His mother, a victim of Stalin’s anti-Semitic policy, had b...