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Film and television offer important insights into social outlooks on borders in France and Europe more generally. This book undertakes a visual cultural history of contemporary borders through a film and television tour. It traces on-screen borders from the Gare du Nord train station in Paris to Calais, London, Lampedusa and Lapland. It contends that different types of mobilities and immobilities (refugees, urban commuters, workers in a post-industrial landscape) and vantage points (from borderland forests, ports, train stations, airports, refugee centers) are all part of a complex French and European border narrative. It covers a wide range of examples, from popular films and TV series to auteur fiction and documentaries by well-known directors from across Europe and beyond.
Examines the integration of Jews into German society between 1860-1925, taking as an example the city of Breslau (then Germany, now Wrocław, Poland). Questions whether there was a continuous line from the German treatment of Jews before World War I to Nazi antisemitism. During and after World War I, relations between Jews and non-Jews worsened and the high level of Jewish integration eroded between 1916-25. Although the constitution of the Weimar Republic accorded Jews equality, they experienced acts of violence and discrimination. Argues that antisemitism became stronger as the economic situation of the Jews deteriorated, due to inflation and the emigration to Germany of 4,273 impoverished Jews from Poland and Russia between 1919-23. Concludes, nevertheless, that no direct line can be drawn between the antisemitism in Imperial Germany and that of the Nazi period.
»Mission in crisis« – this diagnosis makes immediate sense in view of the rapid decline of European Christian churches. However, there is a great deal of controversy as to what exactly this crisis consists of, what its actual causes are and what dynamics the crisis discourse itself exhibits. The contributions in this volume were held on an international conference that took place from November 25–27, 2022 at the University of Zurich. They pursue these questions from a mission-theological perspective and seek to open up new perspectives for the future of the church in both secular and plural societies. With contributions from: Heike Breitenstein, John G. Flett, Ralph Kunz, Sabrina Müll...
A discussion of "Gay is a gift" on the Oprah Winfrey Show inspired this inspirational pocket guide on gay spirituality, which provides useful tools for uncovering your inner giftedness and discovering the true Spirit within. This concise handbook shares the spiritual wisdom of gay shamans throughout history, from the Native American "Two Spirits" to contemporaries like Ram Dass, but does so in a very clear and simple manner, giving readers step-by-step instructions for applying this wisdom to their own spiritual paths. Former Catholic monk and Seventy Times Seven author Salvatore Sapienza also shares his own spiritual journey with readers, helping them to unwrap their own unique gay gifts and to shine this special light on the world. "Think of Gay is a Gift as a Chicken Soup for the Gay Soul," says Web Digest Weekly, and gay spiritual writer Toby Johnson says, "Salvatore Sapienza's Gay is a Gift is itself a gift; a sweet, inspiring portrayal of gay consciousness as blessing, along with a simple, light-hearted - even fun - spiritual practice for bringing more blessing into your life."
Life is full of invitations and opportunities, for growth and discovery, if only we keep our minds open and heed the signs. Naturally, we can always refuse… but sometimes Spirit has a subtle way of urging us in the right direction. David and Linda Serlin said “Yes!” to one unexpected invitation and this book is the story of how that choice set them on an exciting spiritual adventure and changed their lives completely. From a stately home in Essex, UK, to an esoteric retreat on the north Californian coast of the USA, their journey brought deep spiritual insights and principles that David shares with us in this fascinating and uplifting book. Whilst revealing their own unsuspected talents, their experiences also led them to the realisation that ‘There is a Power for Good in the universe, that is greater than we are and that we can use.' In clear and friendly language, David shows us just how to do that!
Happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women’s writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women’s writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the ‘happiness turn’ is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women’s writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms.
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia...
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along ...