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Feynman's Tips on Physics is a delightful collection of Richard P. Feynman's insights and an essential companion to his legendary Feynman Lectures on Physics With characteristic flair, insight, and humor, Feynman discusses topics physics students often struggle with and offers valuable tips on addressing them. Included here are three lectures on problem-solving and a lecture on inertial guidance omitted from The Feynman Lectures on Physics. An enlightening memoir by Matthew Sands and oral history interviews with Feynman and his Caltech colleagues provide firsthand accounts of the origins of Feynman's landmark lecture series. Also included are incisive and illuminating exercises originally developed to supplement The Feynman Lectures on Physics, by Robert B. Leighton and Rochus E. Vogt. Feynman's Tips on Physics was co-authored by Michael A. Gottlieb and Ralph Leighton to provide students, teachers, and enthusiasts alike an opportunity to learn physics from some of its greatest teachers, the creators of The Feynman Lectures on Physics.
"At last! The essential Michael Gottlieb in one volume. For decades, Gottlieb's publications and live readings have been accruing admirers from vanguardist writing communities nationwide. From his beginnings as a lexical atomicist to his later staged documentary pieces, this extensive collection will prove Gottlieb to be one of the most forensic poets of our time. Whether closely examining the radical uncertainty of privately lived phenomenon or tracking the nano-moments of accidental public encounters, these works brim with a wit and quirkiness that's sure to thrill brow-furrowed scholars, roustabout flaneurs, and solitary text trippers in equal measure."-- Rodrigo Toscano "With a sardonic,...
A frightening new plague. A medical mystery. A pioneering immunologist. In A Plague on All Our Houses, Dr. Bruce J. Hillman dissects the war of egos, money, academic power, and Hollywood clout that advanced AIDS research even as it compromised the career of the scientist who discovered the disease. At the beginning of the worldwide epidemic soon to be known as AIDS, Dr. Michael Gottlieb was a young immunologist new to the faculty of UCLA Medical Center. In 1981 he was brought in to consult on a battery of unusual cases: four formerly healthy gay men presenting with persistent fever, weight loss, and highly unusual infections. Other physicians around the country had noted similar clusters of ...
Michael Gottlieb tells us of the years, and holds nothing back. The language poets, the New York poets, the whole shebang! COLLECTED MEMOIRS is the third in Chax Press's uniform edition of Michael Gottlieb's works, joining the SELECTED POEMS (2021) and COLLECTED ESSAYS (2023). What are we doing then, when we delve into the past, our own or someone else's? Are we engaging in (auto)biography, archeology, history, a form of fiction, or nonfiction? Isn't examining the past a poetry of a sorts? Not merely nostalgia, but something else, something less easy to pin down. No doubt we delve into the past to make sense of our lives, perhaps even to justify them, but that's only part of the story. With ...
The medical detective story of Dr. Michael Gottlieb's discovery of AIDS, his struggle with the medical establishment, and the temptations of Hollywood
Winner of the Anne M. Sperber Prize A spirited and revealing memoir by the most celebrated editor of his time. After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carré, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not...
Literary Nonfiction. Memoir. Critical Writing. Responding to MEMOIR AND ESSAY Ron Silliman writes, "Michael Gottlieb saw it all, did it all & appears to have taken notes. MEMOIR AND ESSAY is a personal history of the evolution of Language poetry in New York City in the 1970s as viewed by one of its key innovators. Gottlieb's attention to detail & sensitivity to the interpersonal dynamics of the scene make this a crucial document for understanding progressive poetics in the late 20th century. Gottlieb's prose makes it a pleasure." Kasey Silem Mohammed adds, "A life in, of, and for poetry: Michael Gottlieb generously lays bare the one he has led, putting in plain terms the measures by which the discipline asserts itself as a constitutive force, a shaping regime of identity and counter-identity, community action and individual reflection. In his recounting of his own experience coming into poetry in 1970s New York, as well as his meditations on poet's work (the work of poetry itself and the work that poets do in the world), Gottlieb gives us an immensely valuable document in the annals of Language writing and contemporary literary autobiography generally."
Gottlieb defends the necessity of poetry and why poets matter. "Michael Gottlieb's Socratically-canted essays, all formally addressed to poets, should keep you up at night, even if you're not a poet. There are no answers here, only inquiries that increase exponentially by the asking. The questions Gottlieb pose range from the embarrassing (what might our responsibilities to other poets be?) to the confounding (what is the role of love in our work?). Each question opens out into more questions that should be considered, even meditated upon. "I'd argue," he ventures, "listening is the beginning." The world has changed so much in the twelve years since the first of these writings were published but, still it seems, listening (wedded to an honest ask) may be the truest activism."--Sharon Mesmer Literary Nonfiction. Poetry. Essay. Poetics.
A true story of high finance, murder, and one man's fight for justice.
Poetry. Michael Gottlieb's DEAR ALL strikes a note of change to both Gottlieb's style and his intentions to change society by holding up a mirror to it. The resulting social vanitas in DEAR ALL's short lines make us think that the world might be different than we think it is. And the poetry certainly is different than we expect. The sonorous, lexical intricacy, social indignation and attention to imaginative, formal detail DEAR ALL presents to us undresses our intention in the public square. "In DEAR ALL Michael Gottlieb introduces a shorter line and a pared-down style, as paratactic as ever but with a new clipped clarity. Of course, Gottlieb is writer enough to abolish the neatness of this progression, as he does in the final long poem of this book, a wild mash-up of medical spam that reframes the book in terms of its formal inconsistency: Great stuff." Steve Zultansky"