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Written by one of the country's leading tea professionals, this work is an illuminating resource for tea drinkers interested in developing and refining their palate as well as their understanding of the complex agricultural, historical, and cultural significance of tea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
More than 60,000 copies sold in hardcover! Celebrate tea--the nectar of the gods--with an informative and lushly photographed salute to this incomparable beverage. More than 35 recipes for tea-related confections and parties help you plan special and fun occasions, including a wedding shower tea, Christmas tea, and tea party for children. But tea is for every day, too. Brew up the perfect breakfast with Spicy Rose Tea and freshly baked English Muffins spread with Strawberry-Lemon Balm Butter. Or settle down with a cup and an engrossing book; reading suggestions are included. Find out about exquisitely beautiful teacups and pots; about the business of tea (from the owner of a tea salon, a tea blender, and a tea grower); and charming nuggets of wisdom about this ancient drink.
The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social,...
The vibrant East Bay city of Hayward was named for William Hayward, a '49er and American squatter who endeared himself to Mexican landowner Guillermo Castro by making him a good pair of boots. With Castro's permission, William stayed to open Hayward's Hotel on what is now Main and A Streets. That fortuitous location, near the convergence of the eight tributaries forming San Lorenzo Creek, made the region a natural transportation hub between the bay and the fertile Livermore Valley. Stagecoach lines, a narrow-gauge railroad, and later modern transportation links encouraged more immigrants to settle. Today Hayward is a diverse city of almost 150,000 people, and home to a campus of the California State University.
Addresses the important role of remakes in film culture, from early cinema to contemporary Hollywood.
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Ever since Norman Lear remade the BBC series Till Death Us Do Part into All in the Family, American remakes of British television shows have become part of the American cultural fabric. Indeed, some of the programs currently said to exemplify American tastes and attitudes, from reality programs like American Idol and What Not to Wear to the mock-documentary approach of The Office, are adaptations of successful British shows. Carlen Lavigne and Heather Marcovitch's American Remakes of British Television: Transformations and Mistranslations is a multidisciplinary collection of essays that focuses on questions raised when a foreign show is adapted for the American market. What does it mean to r...
A major reconsideration of the relationship between warrior aristocrats, epics, and heroes in medieval culture. The process of identity formation during the central Middle Ages (10th-12th centuries) among the warrior aristocracy was fundamentally centered on the paired practices of gift giving and violent taking, inextricably linked elements of the same basic symbolic economy. These performative practices cannot be understood without reference to a concept of the sacred, which anchored and governed the performances, providing the goal and rationale of social and military action. After focussing on anthropological theory, social history, and chronicles, the author turns to the "literary" pers...