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According to legend, King Arthur is supposed to return when Britain needs him most. So why does a man claiming to be the once and future king suddenly appear in Los Angeles? This charismatic young Arthur creates a new Camelot within the City of Angels to lead a crusade of unwanted kids against an adult society that discards and ignores them. Under his banner of equality, every needy child is welcome, regardless of race, creed, sexual orientation, or gang affiliation. With the help of his amazing First Knight, homeless fourteen-year-old Lance, Arthur transforms this ragtag band of rejected children and teens into a well-trained army-the Children of the Knight. Through his intervention, they win the hearts and minds of the populace at large, and gain a truer understanding of themselves and their worth to society. But seeking more rights for kids pits Arthur and the children squarely against the rich, the influential, and the self-satisfied politicians who want nothing more than to maintain the status quo. Can right truly overcome might? Arthur's hopeful young knights are about to find out, and the City of Angels will never be the same.
Leonardo Cantrell is a painfully shy sixteen-year-old who cannot look people in the eye. One night while he’s volunteering at a homeless shelter, an old man forces eye contact and gives Leo the power to see Death. His best, and only, friend—J.C. Rivera—thinks this new power is cool until Leo accidentally looks into J.C.’s eyes and “sees” his murder, a murder that will occur in less than two weeks. Stunned and shaken, the two boys sift through clues in Leo’s “vision” in a desperate effort to find the killer and stop him before he can strike.Aided by feisty new-girl-at-school, Laura, the boys uncover evidence suggesting the identity of the murderer. However, their plan to trap the would-be killer goes horribly awry and reveals a truth that could kill them all.
What would you do if someone acted out —for real— the kill scenes from your student-made horror film? That’s the dilemma facing high school seniors Cassie and Donovan. Best friends, aspiring filmmakers, and hopeful romantic partners, they set out to complete a feature-length horror film as a graduation project for their performing arts high school. Using actors and crew from among their classmates, they aim to finish the bulk of shooting over Spring Break. When several murders occur not far from their locations—each one recreating a specific “kill” scene from their script—they suddenly find themselves embroiled in a real-life horror movie neither of them bargained for. Cassie’s police officer dad and his ex-girlfriend—a homicide detective Cassie once hoped would be her stepmom—allow the film shoot to continue because the killer has threatened to murder Donovan’s mother if they stop. Traps are set and arrests are made, but the killer—who might be a member of the cast or crew—is one step ahead of their every move. Can Cassie and Donovan help the police unmask the psychopath before more people die?
A new reading of Heidegger's reappropriation of Aristotle in his early work.
A history of science text imagining how evolutionary theory and biology would have been understood if Darwin had never published his "Origin of Species" and other works.--publisher summary.
A wide-ranging survey of predictions about the future development and impact of science and technology through the twentieth century.
Courage can be costly. Orphaned brothers Vincent and Dennis Villanueva learn the truth of those words when they create a masked crime fighter and turn him loose on Los Angeles. The brainchild of fourteen-year-old Dennis and embodied in twenty-one-year-old Vincent, “Invictus” hits the streets to jumpstart apathetic Angelenos into taking a more active role in their city. But reality isn’t a comic book. Vincent finds poverty, homelessness, drug addiction, abuse, and cast-off children. Labeled a vigilante and criminal, the shy grad student with formidable martial arts talent and abysmal people skills soon doubts his ability to make an impact. Forced to straddle an ambiguous line between moral and legal, he becomes disheartened and secretive, hiding the truth of what he’s doing from Dennis and driving a wedge between them. Feeling neglected, Dennis infiltrates a dangerous drug ring to show Vincent he can be just as heroic, not knowing that the woman in charge is weaving an insidious plot against Invictus as part of her citywide scheme of vengeance. In a race against time, Vincent must regain Dennis’s trust before the brother he loves is lost to him forever.
The development of science, according to respected scholars Peter J. Bowler and Iwan Rhys Morus, expands our knowledge and control of the world in ways that affect-but are also affected by-society and culture. In Making Modern Science, a text designed for introductory college courses in the history of science and as a single-volume introduction for the general reader, Bowler and Morus explore both the history of science itself and its influence on modern thought. Opening with an introduction that explains developments in the history of science over the last three decades and the controversies these initiatives have engendered, the book then proceeds in two parts. The first section considers ...
Bowler traces ideas about progress using evolutionary biology to throw light on parallel changes in the understanding of social development.
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