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Gods and Guitars
Though American attitudes toward religion changed dramatically during the 1960s, interest in spirituality itself never diminished. If we listen closely, Michael Gilmour contends, we can hear an extensive religious vocabulary in the popular music of the decades that followed--articulating each generation's spiritual quest, a yearning for social justice, and the emotional highs of love and sex. Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the ways--and reasons why--pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts.
The Australian Way of Life
The Australian Way of Life adopts a broad and flexible approach to sociology that illustrates ‘the sociological endeavour’ – the ongoing effort to understand and describe our changing world. The book begins with two introductory chapters. Chapter 1 lays the foundation for the four key sociological themes addressed throughout the book:• Questioning things we take for granted• Examining social life from difference perspectives• Appreciating the advent of modernity/div• Examining social division, social inequality and social difference This is followed by an introduction to sociological theory which readers can return to as they consider different perspectives. The structure and l...
The Pillars and the Cornerstone
Jesus Tradition – early Christian traditions from and about Jesus – plays an important role in New Testament letters, not only in the Gospels and Corpus Paulinum, but also in the seven Catholic Epistles (the epistles of James, I and II Peter, I John, and Jude, which are addressed to the universal Church rather than to an individual or a particular church). This dissertation revolves around the relationship between the Catholic Epistles and the traditions about Jesus that have informed the Gospels. Based on the research, two important observations can be made. First of all, there is a fundamental unity in the witness of the Catholic Epistles regarding their reliance upon and appropriation...
The End All Around Us
The Apocalypse or end times are a recurrent theme within contemporary popular culture. 'The End All Around Us' presents a wide-ranging exploration of the influence of the apocalypse within art, literature, music and film. The essays draw on representations of the apocalypse in heavy metal music, science fiction, disaster movies and anime. The book examines key apocalyptic texts, focusing on their relevance to today. It will be invaluable to all those interested in the religious and cultural impact of apocalyptic thought.
Spiritual Complaint
Every life, and every land and people, has reasons for lament and complaint. This collection of essays explores the biblical foundations and the contemporary resonances of lament literature. This new work presents a variety of responses to tragedy and a world out of joint are explored. These responses arise from Scripture, from within the liturgy of the church, and from beyond the church; in contemporary life (the racially conflicted land of Aotearoa- New Zealand, secular music concerts and cyber-space).The book thus reflects upon theological and pastoral handling of such experience, as it bridges these different worlds. It brings together in conversation specialists from different fields of academy and church to provide a resource for integrating faithand scholarship in dark places.
Picturing the World
Scientists are portrayed as champions of objectivity and truth, and artists as champions of subjectivity and creative expression. Through analysis of modern art, John C. Gilmour shows how misleading is this separation of the world into objective and subjective spheres. This false dichotomy depends upon a dated philosophy of mind. The issues posed are developed from the ideas of Nietzche, Heidegger, Merleau-Ponty, Gadamer, Ricoeur, Wittgenstein, Rorty, Dewey, and Whitehead. Picturing the World requires us to reconceive the role of the artist in the creative process and the role of the arts in general.
Harnessing Chaos
Harnessing Chaos is an explanation of changes in dominant politicized assumptions about what the Bible 'really means' in English culture since the 1960s. James G. Crossley looks at how the social upheavals of the 1960s, and the economic shift from the post-war dominance of Keynesianism to the post-1970s dominance of neoliberalism, brought about certain emphases and nuances in the ways in which the Bible is popularly understood, particularly in relation to dominant political ideas. This book examines the decline of politically radical biblical interpretation in parliamentary politics and the victory of (a modified form of) Margaret Thatcher's re-reading of the liberal Bible tradition, followi...
Black Sabbath and Philosophy
A philosophical look at heavy metal's dark masters of reality, Black Sabbath Black Sabbath is one of the world's most influential and enduring rock bands. Dubbed "the Beatles of heavy metal" by Rolling Stone, they helped to define a genre with classic songs like "Paranoid", "Iron Man", and "War Pigs", songs whose lyrics reveal hidden depth and philosophical insight. Their songs confront existential despair, social instability, political corruption, the horrors of war, and the nature of evil. This book explores the wide range of profound ideas in the band's music and lyrics to help you understand Black Sabbath as never before. Discusses and debates essential Black Sabbath topics and themes, s...
Jesus' Transfiguration and the Believers' Transformation
Revision of the author's thesis (Th.D.)--Harvard University, 2008.
Global Milton and Visual Art
Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors...
