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Gods and Guitars
Though American attitudes toward religion changed dramatically during the 1960s, interest in spirituality itself never diminished. If we listen closely, Michael Gilmour contends, we can hear an extensive religious vocabulary in the popular music of the decades that followed--articulating each generation's spiritual quest, a yearning for social justice, and the emotional highs of love and sex. Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the ways--and reasons why--pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts.
Reading the Margins
The Bible and theology are contested spaces, battlegrounds where participants guard entrenched beliefs against perceived threats. But literature, observes novelist Salman Rushdie, opens the universe. It expands what we perceive and understand, and ultimately what we are. Writers make our world feel larger and more inclusive. When other forces push in the direction of narrowness, bigotry, tribalism, cultism, and war, fiction encourages understanding, sympathy, and identification with others. Reading the Margins invites readers to immerse themselves in imaginary worlds, and to pursue visions of justice and compassion. Whether stories about poverty, empire, war, or the environment, the writers considered raise moral questions and often, in the process--even unwittingly--deepen our understanding of biblical calls for kindness and mercy. Reading the Margins offers a kind of commentary on biblical ethics. Using Matthew's Beatitudes and sheep and goats parable as an organizing principle, Gilmour argues there is much to learn about Jesus's "peacemakers" and call to feed the hungry from aspirational fiction and poetry.
Eden's Other Residents
The Bible teems with nonhuman life, from its opening pages with God's creation of animals on the same day and out of the same earth as humans to its closing apocalyptic scenes of horses riding out of the sky. Animals are Adam's companions, Noah's shipmates, and Elijah's saviors. They are at the center of ancient Israel's religious life as sacrifices and yet, as Job discovers, beyond human dominion. It is an animal that saves Balaam from certain death by an angel's hand, and an animal that carries Jesus into Jerusalem. The Creator declares all of them good at the beginning, and since the Apostle Paul writes of God's eternal purposes for all things on earth, they are somehow part of a hoped-fo...
The Gospel According to Bob Dylan
An in-depth study of the theological imagination of musician Bob Dylan covers the span of his career and explores religious themes in his music, revealing Dylan as a major religious thinker. Original.
Animals in the Writings of C. S. Lewis
This book examines C. S. Lewis’s writings about animals, and the theological bases of his opposition to vivisection and other cruelties. It argues Genesis is central to many of these ethical musings and the book’s organization reflects this. It treats in turn Lewis’s creative approaches to the Garden of Eden, humanity’s “dominion” over the earth, and the loss of paradise with all the catastrophic consequences for animals it presaged. The book closes looking at Lewis’s vision of a more inclusive community. Though he left no comprehensive summary of his ideas, the Narnia adventures and science fiction trilogy, scattered poems and his popular theology inspire affection and sympathy for the nonhuman. This study challenges scholars to reassess Lewis as not only a literary critic and children’s author but also an animal theologian of consequence, though there is much here for all fans of Mr. Bultitude and Reepicheep to explore.
Call Me the Seeker
Michael Gilmour's introductory essay gives a state-of-the-discipline overview of research in popular music. He argues that popular songs frequently draw from and "interpret" themes found in the conceptual and linguistic worlds of the major religions and reveal underlying attitudes in those who compose and consume them. He says these "texts" deserve more serious study, as "insight and profundity can be found not only in the traditional canons, religious or otherwise, but also in unexpected places." The essays in the book start an ongoing conversation in this area, bringing a variety of methodologies to bear on selected artists and topics.
Tangled Up in the Bible
Gilmour suggests the various ways in which Dylan uses scripture both in an explicit and an implicit manner.
Creative Compassion, Literature and Animal Welfare
This book examines animal welfare themes in fiction, and considers how authors of the last two centuries undermine dominative attitudes toward the nonhuman. Appearing alongside the emerging humane movements of the nineteenth century and beyond is a kind of storytelling sympathetic to protectionist efforts well-described as a literature of protest. Compassion-inclined tales like the Dolittle adventures by Hugh Lofting educate readers on a wide range of ethical questions, empathize with the vulnerable, and envision peaceful coexistence with other species. Memorable characters like Black Beauty and Beautiful Joe, Ivan the gorilla and Louis the trumpeter swan, Hazel and Cheeta, Mr. Bultitude and Doctor Rat do not merely amuse. They are voices from the margins who speak with moral urgency to those with ears to hear. This broad survey of ethical themes in animal fiction highlights the unique contributions creative writers make toward animal welfare efforts.
The Significance of Parallels Between 2 Peter and Other Early Christian Literature
Gilmour uses 2 Peter as a test case to raise questions about the use of literary parallels in historical reconstruction.Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
