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"...A powerful interpretation of the uses of history in educational reform and of the relations among democracy, education, and the capitalist state. How did the American education take shape? What can a historian say about recent criticisms and proposals for improvement? What drives the politics of educational history? Katz shows how the reconstruction of America's educational past can be used as a framework for thinking about current reform."--Back cover.
A celebrated new translation of Dostoevsky’s masterpiece reveals the “social problems facing our own society” (Nation). Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and on our modern world. Declared a PBS “Great American Read,” Michael Katz’s sparkling new translation gives new life to the story of Raskolnikov, an impoverished student who sees himself as extraordinary and therefore free to commit crimes—even murder—in a work that best embodies the existential dilemmas of man’s instinctual will to power. Embracing the complex linguistic blend inherent in modern literary Russian, Katz “revives the intensity Dostoevsky’s first readers experienced, and proves that Crime and Punishment still has the power to surprise and enthrall us” (Susan Reynolds). With its searing and unique portrayal of the labyrinthine universe of nineteenth-century St. Petersburg, this “rare Dostoevsky translation” (William Mills Todd III, Harvard) will captivate lovers of world literature for years to come.
"These are the voices of Crime and Punishment in all their original, dazzling variety: pensive, urgent, defiant, and triumphant. This new translation by Michael Katz revives the intensity Dostoevsky's first readers experienced." --Susan McReynolds, Northwestern University "Mesmerizingly good . . . the best, truest translation of Dostoevsky's masterpiece into English. It's a magnificent, almost terrifying achievement of translation, one that makes its predecessors, however worthy, seem safe and polite." --Steve Donoghue, Open Letters Monthly
"Herzen's novel played a significant part in the intellectual ferment of the 1840s. It is an important book in social and moral terms, and wonderfully expressive of Herzen's personality."--Isaiah BerlinAlexander Herzen was one of the major figures in Russian intellectual life in the nineteenth century. Who Is to Blame? was his first novel. A revealing document and a noteworthy contribution to Russian literature in its own right, it establishes the origins of Herzen's spiritual quest and the outlines of his emerging social and political beliefs, and it foreshadows his mature philosophical views.
Presenting 12 revised and annotated stories, this collection includes 'A Prisoner in the Caucasus', 'Father Sergius' and 'After the Ball'.
"There are places where history feels irrelevant, and America's inner cities are among them," acknowledges Michael Katz, in expressing the tensions between activism and scholarship. But this major historian of urban poverty realizes that the pain in these cities has its origins in the American past. To understand contemporary poverty, he looks particularly at an old attitude: because many nineteenth-century reformers traced extreme poverty to drink, laziness, and other forms of bad behavior, they tried to use public policy and philanthropy to improve the character of poor people, rather than to attack the structural causes of their misery. Showing how this misdiagnosis has afflicted today's ...
This book recounts the transformation of American poor relief in the decades spanning the New Deal and the War on Poverty.
Do ominous reports of an emerging "underclass" reveal an unprecedented crisis in American society? Or are social commentators simply rediscovering the tragedy of recurring urban poverty, as they seem to do every few decades? Although social scientists and members of the public make frequent assumptions about these questions, they have little information about the crucial differences between past and present. By providing a badly needed historical context, these essays reframe today's "underclass" debate. Realizing that labels of "social pathology" echo fruitless distinctions between the "deserving" and "undeserving" poor, the contributors focus not on individual and family behavior but on a ...
"The beginning of this tale of bygone days in Odessa dates to the dawn of the twentieth century. At that time we used to refer to the first years of this period as the 'springtime,' meaning a social and political awakening. For my generation, these years also coincided with our own personal springtime, in the sense that we were all in our youthful twenties. And both of these springtimes, as well as the image of our carefree Black Sea capital with acacias growing along its steep banks, are interwoven in my memory with the story of one family in which there were five children: Marusya, Marko, Lika, Serezha, and Torik."—from The Five The Five is an captivating novel of the decadent fin-de-si...
From Research to Manuscript, written in simple, straightforward language, explains how to understand and summarize a research project. It is a writing guide that goes beyond grammar and bibliographic formats, by demonstrating in detail how to compose the sections of a scientific paper. This book takes you from the data on your desk and leads you through the drafts and rewrites needed to build a thorough, clear science article. At each step, the book describes not only what to do but why and how. It discusses why each section of a science paper requires its particular form of information, and it shows how to put your data and your arguments into that form. Importantly, this writing manual recognizes that experiments in different disciplines need different presentations, and it is illustrated with examples from well-written papers on a wide variety of scientific subjects. As a textbook or as an individual tutorial, From Research to Manuscript belongs in the library of every serious science writer and editor.