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The Brothers Karamazov: A New Translation by Michael R. Katz
"Lively, fast-flowing.... the voiciest translation of the novel thus far. [Katz] writes at the fever pitch of speech, unleashing the speed and the chaos of the original." —Jennifer Wilson, The New Yorker A monumental new translation—the first in more than twenty years—of Russia’s greatest family drama, rendered with all the passion, humor, and soul of the original. Dostoevsky’s final, greatest novel, The Brothers Karamazov, paints a complex and richly detailed portrait of a family tormented by its extraordinarily cruel patriarch, Fyodor Pavlovich, whose callous decisions slowly decimate the lives of his sons—the eponymous brothers Karamazov—and lead to his violent murder. In the aftermath of the killing, the brothers contend with dilemmas of honor, faith, and reason as the community closes in on the murderer in their midst. Acclaimed translator Michael R. Katz renders this masterpiece’s nuanced and evocative storytelling in a vibrant, signature prose style that captures all the power of Dostoevsky’s original—the clever humor, the rich emotion, the passion and the turmoil—and that will captivate and unsettle a new generation of readers.
Missing
The search for a missing person leads Ravn into the heart of a deadly conspiracy with deep historical roots in this thriller from Denmark's King of Crime. Suspended from his job, criminal investigator Thomas "Ravn" Ravnsholdt lives a lonely, dissolute existence-until he crosses paths with a woman desperate for help locating her missing brother. Driven to embezzlement, the man has vanished without a trace on a visit to Berlin. Ravn's investigation takes a chilling turn when he uncovers a pattern of similar disappearances involving single men in the German capital. As the pieces of this puzzle start to fall into place, Ravn finds himself entangled in a web of darkness and deception that dates ...
Crime and Punishment
A celebrated new translation of Dostoevsky’s masterpiece reveals the “social problems facing our own society” (Nation). Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and on our modern world. Declared a PBS “Great American Read,” Michael Katz’s sparkling new translation gives new life to the story of Raskolnikov, an impoverished student who sees himself as extraordinary and therefore free to commit crimes—even murder—in a work that best embodies the existential dilemmas of man’s instinctual will to power. Embracing the complex linguistic blend inherent in modern literary Russian, Katz “revives the intensity Dostoevsky’s first readers experienced, and proves that Crime and Punishment still has the power to surprise and enthrall us” (Susan Reynolds). With its searing and unique portrayal of the labyrinthine universe of nineteenth-century St. Petersburg, this “rare Dostoevsky translation” (William Mills Todd III, Harvard) will captivate lovers of world literature for years to come.
Reconstructing American Education
"...A powerful interpretation of the uses of history in educational reform and of the relations among democracy, education, and the capitalist state. How did the American education take shape? What can a historian say about recent criticisms and proposals for improvement? What drives the politics of educational history? Katz shows how the reconstruction of America's educational past can be used as a framework for thinking about current reform."--Back cover.
Crime and Punishment
"These are the voices of Crime and Punishment in all their original, dazzling variety: pensive, urgent, defiant, and triumphant. This new translation by Michael Katz revives the intensity Dostoevsky's first readers experienced." --Susan McReynolds, Northwestern University "Mesmerizingly good . . . the best, truest translation of Dostoevsky's masterpiece into English. It's a magnificent, almost terrifying achievement of translation, one that makes its predecessors, however worthy, seem safe and polite." --Steve Donoghue, Open Letters Monthly
Improving Poor People
"There are places where history feels irrelevant, and America's inner cities are among them," acknowledges Michael Katz, in expressing the tensions between activism and scholarship. But this major historian of urban poverty realizes that the pain in these cities has its origins in the American past. To understand contemporary poverty, he looks particularly at an old attitude: because many nineteenth-century reformers traced extreme poverty to drink, laziness, and other forms of bad behavior, they tried to use public policy and philanthropy to improve the character of poor people, rather than to attack the structural causes of their misery. Showing how this misdiagnosis has afflicted today's ...
States of Dependency
This book recounts the transformation of American poor relief in the decades spanning the New Deal and the War on Poverty.
The "Underclass" Debate
Do ominous reports of an emerging "underclass" reveal an unprecedented crisis in American society? Or are social commentators simply rediscovering the tragedy of recurring urban poverty, as they seem to do every few decades? Although social scientists and members of the public make frequent assumptions about these questions, they have little information about the crucial differences between past and present. By providing a badly needed historical context, these essays reframe today's "underclass" debate. Realizing that labels of "social pathology" echo fruitless distinctions between the "deserving" and "undeserving" poor, the contributors focus not on individual and family behavior but on a ...
Who Is to Blame?
"Herzen's novel played a significant part in the intellectual ferment of the 1840s. It is an important book in social and moral terms, and wonderfully expressive of Herzen's personality."--Isaiah BerlinAlexander Herzen was one of the major figures in Russian intellectual life in the nineteenth century. Who Is to Blame? was his first novel. A revealing document and a noteworthy contribution to Russian literature in its own right, it establishes the origins of Herzen's spiritual quest and the outlines of his emerging social and political beliefs, and it foreshadows his mature philosophical views.
