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This book proposes a Marxist analysis of young Marx's intellectual evolution, from left neo-Hegelianism to his new philosophy of praxis. It distinguishes itself from most other books on the early Marx by its object - the theory of (proletarian) revolutionary self-emancipation - and its method: to understand the movement of Marx's political and philosophical ideas in relation to the most radical currents in the labour movement of his time (beginning with Chartism and the uprising of the Silesian weavers in 1844). The central theoretical argument of the author is that Marx's philosophy of praxis - first formulated in the Thesis on Feuerbach - is at the same time the founding stone of a new world view, and the methodological basis for the theory of revolutionary self-emancipation. For the paperback version of this title, please go to http://www.cbsd.com/detail.aspx?Inventory=17323
Löwy's book is the first attempt to analyze, in a systematic way, how the theories of uneven and combined development, and of the permanent revolution &mdash inseparably linked &mdash emerged in the writings of thinkers such as Karl Marx and Leon Trotsky. Such radical reflections permit us to understand modern economic development across continents as a process of ferocious change, in which "advanced" and "backward" elements fuse, come into tension, and collide &mdash and how the resulting ruptures make it possible for the oppressed and exploited to change the world.
In the 1960s liberation theology addressed itself to the problems of a continent racked by poverty and oppression. Comprising a network of localized communities and pastoral organizations, it soon became something much more than a doctrinal current. Liberationist Christianity defined itself in a multitude of social struggles, particularly in Brazil and Central America.
Revolutions is a unique collection of rare photographs documenting some of the most important revolutionary upheavals, from the 1871 Paris Commune to the Zapatista rebellion of the 1990s.
Classic study of Jewish libertarian thought, from Walter Benjamin to Franz Kafka Towards the end of the nineteenth century, there appeared in Central Europe a generation of Jewish intellectuals whose work was to transform modern culture. Drawing at once on the traditions of German Romanticism and Jewish messianism, their thought was organized around the cabalistic idea of the “tikkoun”: redemption. Redemption and Utopia uses the concept of “elective affinity” to explain the surprising community of spirit that existed between redemptive messianic religious thought and the wide variety of radical secular utopian beliefs held by this important group of intellectuals. The author outlines the circumstances that produced this unusual combination of religious and non-religious thought and illuminates the common assumptions that united such seemingly disparate figures as Martin Buber, Franz Kafka, Walter Benjamin and Georg Lukács.
Capitalism is killing the planet, and the preservation of a natural environment favorable to human life requires a radical alternative. In this new collection of essays, long time revolutionary and environmental activist Michael Löwy offers a vision of ecosocialist transformation. This vision combines an understanding of the destructive logic of the capitalist system with an appreciation for ongoing struggles, particularly in Latin America.
An erudite analysis of the critical and subversive dimensions of Kafka's writings
On the 100th anniversary of the publication of History and Class Consciousness, a new edition of this indispensable guide to Lukacs's thought and politics The philosophical and political development that converted Georg Lukács from a distinguished representative of Central European aesthetic vitalism into a major Marxist theorist and Communist militant has long remained an enigma. In this this now classic study, Michael Löwy for the first time traced and explained the extraordinary mutation that occurred in Lukács's thought between 1909 and 1929. Utilizing many as yet unpublished sources, Löwy meticulously reconstructed the complex itinerary of Lukács's thinking as he gradually moved to...
Examining how writings on national issues by Marx & Engels could form the basis of an international dialectic, this text shows that by doing justice to national identities & linking new forms of social-movement, new internationalism can be created.
To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.