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The Psychology of the Bible
Fire and brimstone, bellowing prophets, and a good dose of old-fashioned sermonizing — these are the images the Bible brings to mind. But this assortment of sacred writings, in particular the Old Testament, is more than a collection of colorful allegories or miracles-and-morals mythology. Though written in the first millennium BCE, these holy writings are a nostalgic recounting of a lost 'super-religious' mentality that characterized the Bronze Age. The Psychology of the Bible explores how the Old Testament provides perspective into the tumultuous transition from an earlier mentality to a new paradigm of interiorized psychology and introspective religiosity that came to characterize the fi...
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Allegory and the Work of Melancholy
Written using critical theory, especially by Walter Benjamin, Blanchot and Derrida, Allegory and the Work of Melancholy: The Late Medieval and Shakespeare reads medieval and early modern texts, exploring allegory within texts, allegorical readings of texts, and melancholy in texts. Authors studied are Langland and Chaucer, Hoccleve, on his madness, Lydgate and Henryson. Shakespeare's first tetralogy, the three parts of Henry VI and Richard III conclude this investigation of death, mourning, madness and of complaint. Benjamin's writings on allegory inspire this linking, which also considers Dürer, Baldung and Holbein and the dance of the dead motifs. The study sees subjectivity created as ob...
The Metamorphoses of Power
Using interdisciplinary methodologies and making a case study around the military aḳıncı institution, a relic of early times, this study discusses the emergence of the Ottoman polity in dealing with various warlords and across different identities and political affiliations.
Objects Observed
Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century. John C. Stout provides comprehensive examinations of Pierre Reverdy, Francis Ponge, Jean Follain, Guillevic, and Jean Tortel. Stout argues that the object furnishes these poets with a catalyst for creating a new poetics and for reflecting on lyric as a genre. In France, the object has been central to a broad range of aesthetic practices, from the era of Cubism and Surrealism to the 1990s. In the heyday of American Modernism, several major poets foregrounded the object in their work; however, in postwar twentieth-century America, poets moved away from a focus on the object. Objects Observed illuminates the variety of aesthetic practices and positions in French and American poets from the years of high Modernism (1909-1930) to the 1990s.
A Companion to the Works of Stefan George
Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only an all-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerg...
The Party of Democratic Socialism in Germany
The Party of Democratic Socialism in Germany, which includes the papers from the first conference on the PDS in Britain, brings together a range of scholars and politicians from Germany, Britain, France and the USA. It assesses the present position of the party within the German political system shortly before the second Superwahljahr' in Germany. It also examines its relations with other post-communist parties in Europe and evaluates the state of its relations with the other political parties competing for the left-of-centre vote in the new Lander. Above all the volume is concerned with the question as to whether the PDS, as the successor party to the former ruling communist party in East Germany, represents a modern form of socialism or is merely a populist reaction to the particular concerns of eastern Germans after unification. The volume will be of particular interest to students and scholars of German and politics who are concerned with developments in Germany and Europe after the collapse of communism. There are twelve contributions to the volume, six in German and six in English."
Marriage, Gender, and Desire in Early Enlightenment German Comedy
Reveals eighteenth-century German comedies' inherent resistance -- through their depiction of alternative gender roles and sexual behavior -- to the emerging discourse of the sentimental marriage. J. C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp, alternative gender roles and sexual behavio...
