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Six Plays of the Israeli-Palestinian Conflict
A bold and singular collection of six plays by Arab and Jewish playwrights explores the human toll of the Israeli-Palestinian conflict: The Admission by Motti Lerner, Scenes From 70* Years by Hannah Khalil, Tennis in Nablus by Ismail Khalidi, Urge for Going by Mona Mansour, The Victims by Ken Kaissar, and The Zionists by Zohar Tirosh-Polk. Rather than striving to achieve balance and moral equivalency between "competing" narratives, the plays investigate themes of identity, justice, occupation, exile, history and homeland with honesty and integrity. The plays do not "take sides" or adhere to ideological orthodoxies but challenge tribalism and narrow definitions of nationalism, while varying widely in thematic content, dramatic structure, and time and place. Where politicians and diplomats fail, artists and storytellers may yet succeed--not in ratifying a peace treaty between Israel and Palestine, but in building the sort of social and political connectivity that enables resolution.
Theater in the Middle East
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.
Arabs, Politics, and Performance
This book is a ground-breaking collection on contemporary Arab theatre. Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage. This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.
The Dominican Republic and the United States
This study of the political, economic, and sociocultural relationship between the Dominican Republic and the United States follows its evolution from the middle of the nineteenth century to the mid-1990s. It deals with the interplay of these dimensions from each country's perspective and in both private and public interactions. From the U.S. viewpoint, important issues include interpretation of the rise and fall of the Dominican Republic's strategic importance, the legacy of military intervention and occupation, the problem of Dominican dictatorship and instability, and vacillating U.S. efforts to "democratize" the country. From the Dominican perspective, the essential themes involve foreign...
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New Body Politics
In the increasingly multi-racial and multi-ethnic American landscape of the present, understanding and bridging dynamic cross-cultural conversations about social and political concerns becomes a complicated humanistic project. How do everyday embodied experiences transform from being anecdotal to having social and political significance? What can the experience of corporeality offer social and political discourse? And, how does that discourse change when those bodies belong to Arab Americans and African Americans? Therí A. Pickens discusses a range of literary, cultural, and archival material where narratives emphasize embodied experience to examine how these experiences constitute Arab Ame...
Middle Eastern American Theatre
Introduction : Polyculturalism, Transnationalism, and Diaspora -- Major Middle Eastern American Companies -- Return to the Homeland Plays -- Persecution Plays -- Diaspora Plays -- Plays Set in the Homeland -- Conflict Plays -- The Current State of Middle Eastern American Theatre -- Critical Perspectives.
