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Breaking Cover
Breaking Cover is the third collection written by award-winning poet Michael Maul. It has already received pre-release high acclaim including by celebrated poets on both sides of the Atlantic, from England and Northern Ireland to American poets laureates and poetry editors. Breaking Cover has been organized into four books, broadly separated into works thematically engaging universal experiences of love, aging, nature, family, complex relationships, the craft of writing and, yes, the living and cessation of life. In terms of tonally, Maul's contents range from humor to heartbreak to the shared grappling of many seminal challenges that yet remain unnamed, though will be easily recognized by all.
Bach's Famous Choir
In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caught between the conf...
The Routledge Research Companion to Johann Sebastian Bach
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the resu...
Forms of Performance: From J.S. Bach to M. Alunno (1972-)
Today, Bach is one of the most revered and studied figures of classical music, despite there being a time in which he was almost forgotten. Divided into two sections, this volume explores research on J.S. Bach and more broadly examines the topics of music and performance studies; with the latter focusing on composers active today, such as Marco Alunno, or those from the recent past who are lesser-known and performed, such as Pietro Cimara and Leo Ornstein. Following from Nones’s (ed.) previous publication Music as Communication: Perspectives on Music, Image and Performance (ABE, 2018), this work provides a rather unique contribution as a choral attempt at exploring performance today. The i...
Bach Perspectives, Volume 14
Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg
Darth Maul
Not long before the events of THE PHANTOM MENACE, the Sith Lord, Darth Sidious, is meeting via hologram with the Neimoidian Viceroy, Nute Gunray, and his seconds in command. But something is wrong: Where there are three Neimoidians, there should be a fourth. Where is he? No one knows. Angry and suspicious, sure that the fourth Neimoidian, Hath Monchar, is out there blabbing Darth Sidious' secrets, Sidious sends his apprentice, Darth Maul, out to investigate. His mission: Find and kill Hath Monchar. Then figure out whom Monchar might have spoken with, and kill them, too. Lorn Pavan is an information broker, who makes his living finding information and selling it to the highest bidder. When th...
Forms of Performance
Today, Bach is one of the most revered and studied figures of classical music, despite there being a time in which he was almost forgotten. Divided into two sections, this volume explores research on J.S. Bach and more broadly examines the topics of music and performance studies; with the latter focusing on composers active today, such as Marco Alunno, or those from the recent past who are lesser-known and performed, such as Pietro Cimara and Leo Ornstein. Following from Nones's (ed.) previous publication Music as Communication: Perspectives on Music, Image and Performance (ABE, 2018), this work provides a rather unique contribution as a choral attempt at exploring performance today. The int...
Forms of Performance: From J.S. Bach (1685-1750) to M. Alunno (1972-) [Audio CD Edition]
Today, Bach is one of the most revered and studied figures of classical music, despite there being a time in which he was almost forgotten. Divided into two sections, this volume explores research on J.S. Bach and more broadly examines the topics of music and performance studies; with the latter focusing on composers active today, such as Marco Alunno, or those from the recent past who are lesser-known and performed, such as Pietro Cimara and Leo Ornstein. Following from Nones's (ed.) previous publication Music as Communication: Perspectives on Music, Image and Performance (ABEPaperback, 2018), this work provides a rather unique contribution as a choral attempt at exploring performance today...
