Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Michael Moore Is a Big Fat Stupid White Man
Watching Michael Moore in action—passing off manipulating facts in Bowling for Columbine, spinning statistics in Stupid White Men and Dude, Where's My Country?, shamelessly grandstanding at the Academy Awards, and epitomizing the hypocrisy he's made a king's fortune railing against—has spurred authors David T. Hardy and Jason Clarke to take action into their own hands. In Michael Moore Is a Big Fat Stupid White Man, Hardy and Clarke dish it back hard to the fervent prophet of the far left, turning a careful eye on Moore's use of camera tricks and publicity ploys to present his own version of the truth. Postwar documentarians gave us the documentary, Rob Reiner gave us the mockumentary, a...
Here Comes Trouble
No Marketing Blurb
Michael Moore
Indispensable perspectives on America's top documentary filmmaker and political commentator
The World According to Michael Moore
In all of his books Michael Moore has proven to be outspoken and outrageous. This compilation of quotes from interviews and a variety of other sources presents Moore's views on everything from politics to filmmaking and the state of American life and culture.
Michael Moore
Michael Moore's life story, from shy Eagle Scout to vocal critic of the Bush presidency, is told in this biography. In-depth research and interviews sort lies from truth and reveal both the passionate and cranky sides of this bestselling author and Academy Award-winning filmmaker.
Legal, Moral, and Metaphysical Truths
Perhaps more than any other scholar, Michael Moore has argued that there are deep and necessary connections between metaphysics, morality, and law. Moore has developed every contour of a theory of criminal law, from philosophy of action to a theory of causation. Indeed, not only is he the central figure in retributive punishment but his moral realist position places him at the center of many jurisprudential debates. Comprised of essays by leading scholars, this volume discusses and challenges the work of Michael Moore from one or more of the areas where he has made a lasting contribution, namely, law, morality, metaphysics, psychiatry, and neuroscience. The volume begins with a riveting cont...
Moore & Us
Love him or hate him, Michael Moore has touched a nerve in American culture and politics. His controversial documentaries have achieved a stunning level of success in the United States and abroad, and his influence in political circles continues to grow. In Moore and Us, Jesse Larner considers the cultural phenomenon that Moore has become. From his early days in journalism to his film breakthrough with Roger & Me, from the furor around Fahrenheit 9/11 to his use of the film in trying to affect the 2004 presidential election, Larner charts Moore's career and explores the man in all of his guises: populist, prankster, preacher, rock star, and unlikely folk hero. Critical when warranted, and giving credit where credit is due, Larner's book holds appeal for thoughtful readers of all political leanings, from fans of Moore and Al Franken to readers of Sean Hannity and other conservative critics.
The World According to Michael Moore : an Unauthorized Portrait in His Own Words
In all of his books Michael Moore has proven to be outspoken and outrageous. This compilation of quotes from interviews and a variety of other sources presents Moore's views on everything from politics to filmmaking and the state of American life and culture.
Stupid White Men
Stupid white men tells you everything you need to know about how the great and the good screw us over. It reveals - among other things - how 'President' Bush stole an election aided only by his brother, cousin, his dad's cronies, electoral fraud an tame judges.
Michael Moore and the Rhetoric of Documentary
In the first in-depth study of Moore's feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading rhetoric scholars to examine the production, rhetorical appeals, and audience reception of these films. Contributors critique the films primarily as modes of public argument and political art. Each essay is devoted to one of Moore's films and traces in detail how each film invites specific audience responses.
