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Best known as a satirist of Parisian politics and daily life, Honoré Daumier (1808-1879) was a prolific caricaturist. This book is the first to examine the role of exoticism in his art, and to offer a detailed history of the journal Le Charivari in which the lithographs appeared. These satires of China, Haiti, the United States, Africa, and the Middle East not only target the theater of international politics, but also draw on a broad range of physical stereotypes supported by contemporary ideas about race and cultural difference. In an art of comic inversion, Daumier used the exotic to expose the foibles and pretensions of the Parisian bourgeoisie. A pacifist and a Republican, Daumier also satirized the non-European world in order to covertly attack the imperialism of Napoléon III in an age of press censorship. Idealistic as well as pragmatic, he used humor to stage political critique as well as to envision a more unified and compassionate world.
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics ov...
This book pays tribute to 14 women who donated millions of dollars to causes close to their hearts. Iris Nowell is the author of five books. Writing her 1996 book, Women Who Give Away Millions, has given her a solid foundation of philanthropy, the not-for-profit sector, and the wealthy. She has also written a memoir of Canadian artist Harold Town, and a biography of artist, filmmaker, and impassioned feminist, Joyce Wieland.
The life and work of one of the most productive and renowned French artists of the nineteenth century is examined in this beautiful book. Known primarily in his own time for the penetrating social and political commentary of his cartoons, Daumier is now equally admired for his drawings, watercolours, and oil paintings. Bruce Laughton draws on new material to present the most comprehensive treatment of this multi-faceted artist in two decades. Laughton traces Daumier's professional life: his early career as a lithographer-cartoonist, when his fame as a social satirist spread through all classes of French citizens; his attempts to change direction as an 'artist-peintre' with the advent of the ...
Shortly before Gauguin made his first Tahitian journey in 1891, he spent nearly two years in the remote Breton fishing village of Le Pouldu. Seeking creative isolation in a "primitive" setting, he pursued his art accompanied by several followers. One of them was the Dutch painter Meyer de Haan, who was able to pay the living expenses in Le Pouldu and was also knowledgeable in literary and philosophical matters that fascinated Gauguin. Their association resulted in some of Gauguin's most remarkable works, including the Wadsworth Atheneum's symbolist portrait of de Haan inscribed "Nirvana." This and the rich variety of paintings and sculpture by Gauguin produced in 1889-90 are the focus of thi...
Winner of the 2005 Ottawa Book Award for Non-fiction , the 2005 University of British Columbia Award for Best Canadian Biography, and the Canadian Railroad Historical Association Award for Best Railway Book of the Year. William Van Horne was one of North America’s most accomplished men. Born in Illinois in 1843, he became a prominent railway figure in the United States before coming to Canada in 1881 to become general manager of the fledgling Canadian Pacific Railway. Van Horne pushed through construction of the CPR’s transcontinental line and went on to become company president. He also became one of Canada’s foremost financiers and art collectors, capping his career by opening Cuba’s interior with a railway.
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects m...
An impassioned plea for a Roman-Style eclecticism that draws freely on all artistic forms and traditions, Piranesi's Observations anticipates the contemporary debate between devotees of a rational, minimal architecture and advocates of an architecture rich in ornament and historical references."--BOOK JACKET.
Biografi om Degas landskaber set i relation til andre kunstneres behandling af landskabet som motiv
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