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What is the origin of the stories of the Round Table, of Excalibur and the Holy Grail, of Sir Launcelot and Guinevere? And where was Camelot? King Arthur’s name has echoed down the centuries, conjuring up rich images of mystery and power, chivalry and romance. But did he exist at all? There is no evidence to prove he reigned in the fifth and sixth centuries; no eye-witness accounts of his coronation and no reliable manuscripts outlining his deeds. This full-colour guide examines the facts of the legends in the tantalising puzzle of King Arthur and his knights. Learn about the origins of the Round Table, the cult of chivalry and conflict between knights, and Arthur's shape-shifting half-sister Moran le Fay. From the origins of Arthurian legend to the new phase in the Arthurian cyce in the romantic revival of the early nineteenth century, read about the tantalizing puzzle that is King Arthur. Look out for more Pitkin guides on the very best of British history, heritage and travel.
The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.
Hollywood Through the Backdoor uncovers the story of actor-writer-composer MICHAEL ST. JOHN, arriving in Hollywood, with no great expectations, just to survive. It was a time when artists of color were forced to accept any kind of demeaning role in the business. When not in a class at U.S.C., Michael found on a film set, observing and meeting stars or those who might make it happen for him. He pulled some outlandish stunts to get the job or part he wanted, but managed to garner the respect of some of the most powerful people in the entertainment industry i.e., Dan Dailey, Marlon Brando, Hedda Hopper, and so many other highly respected creative-movers in the industry, who held out their hand, giving him the necessary push needed. The Backdoor? Hell, Michael didn't care, it was an entrance! Segment Film Productions : Michael Plaster - Steven F. Proctor
A collection of short biographies of British kings and queens from the 9th century to the 20th century.
In-depth biography of INXS & Hutchence. Covers history of the band, music, life on the road, and questions surrounding Hutchence's death.
This collection of fifteen essays looks at the theme of decadence and its recurring manifestations in European literature and literary criticism from medieval times to the present day. Various definitions of the term are explored, including the notion of decadence as physical decay. Some of the essays draw parallels between modernist and postmodernist notions of decadence. Similarities are detected between fin de siècle decadence at the end of the nineteenth century (which reaches its apotheosis in the character of Eugene Wrayburn in Our Mutual Friend) and depictions of decadence in our own age as we enter the new millennium.
Bach's St. John Passion is surely one of the monuments of Western music, yet performances of it are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today? Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, q...