You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A vivid, concise account of the German Empire, from its proclamation at Versailles in 1871 to its final dissolution, also at Versailles, in 1919. The period of almost half a century from 1871 to 1919 was one of huge upheaval, restlessness and change in Germany. Situated at the crossroads of history and geography, the country under Bismarck was struggling to preserve the predominance of Prussia and its traditional ruling elites, whilst also recognising the importance of modernisation. By the turn of the century Germany had overtaken Britain as the workshop of the world in industry, science, ideas and the arts, with enormous investments being made in these areas. Many people lost or swapped their traditional livelihoods, moved from the countryside to the cities, and embarked on a road to a prosperity unparalleled in Europe. Then in 1914 came the outbreak of the First World War, unleashing one of the greatest catastrophes of the twentieth century.
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
The period of almost half a century from 1871 to 1919 was one of huge upheaval, restlessness and change in Germany. Situated at the crossroads of history and geography, the country under Bismarck was struggling to preserve the predominance of Prussia and its traditional ruling elites, whilst also recognising the importance of modernisation. By the turn of the century Germany had overtaken Britain as the workshop of the world in industry, science, ideas and the arts, with enormous investments being made in these areas. Many people lost or swapped their traditional livelihoods, moved from the countryside to the cities, and embarked on a road to a prosperity unparalleled in Europe. Then in 1914 came the outbreak of the First World War, unleashing one of the greatest catastrophes of the twentieth century.
An expert contemporary history of Vladimir Putin and Russia's resurgent role in world affairs.
The author follows the debates beyond the unexpected unification of the country in 1989/90 and analyses the most recent trends in German historiography, hoping that it doesn't return to the stifling homogeneity that characterized it before the 1960s.
Many Transatlantic security concerns in the coming decades will originate not in Europe, but in the Greater Middle East, which encompasses the area from the Maghreb to the Caspian basin. This volume juxtaposes essays from U.S. and European scholars on selected areas and issues: the Arab-Israeli peace process, the Persian Gulf, Turkey and the Caspian Basin, the proliferation of weapons of mass destruction, and military force projection. Each author considers American and European strategies toward a particular issue and makes suggestions for future policy collaboration between the countries on both sides of the Atlantic.
The period of almost half a century from 1871 to 1919 was one of huge upheaval, restlessness and change in Germany. Situated at the crossroads of history and geography, the country under Bismarck was struggling to preserve the predominance of Prussia and its traditional ruling elites, whilst also recognising the importance of modernisation. By the turn of the century Germany had overtaken Britain as the workshop of the world in industry, science, ideas and the arts, with enormous investments being made in these areas. Many people lost or swapped their traditional livelihoods, moved from the countryside to the cities, and embarked on a road to a prosperity unparalleled in Europe. Then in 1914...
"Most scholars argue that a nation, by definition, has economic, cultural, and ethnic components.
A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.
A Past Without Shadow examines 50 years of German children's books in which the darkest horrors of the Third Reich have routinely remained hidden. The horrors of the Third Reich are systematically screened and filtered, allowing the darker, bleaker parts of history to escape illumination. Here Zohar Shavit explores 345 German books for children describing the Third Reich and the Holocaust, and finds a shocking distortion of the past: a recurrent narrative which suggests that the Germans themselves had no hand in the suffering inflicted on the Jews. These books, Shavit argues, have created the false historical lesson that the real victims of Hitler's crimes were the German people themselves. First published to great acclaim in Hebrew and now available in English, this book is a wake-up call for anyone concerned about German children's literature and its responsibility to past and future.