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From Lived Experience to the Written Word
"This book focuses on how literate artisans began to write about their discoveries starting around 1400: in other words, it explores the origins of technical writing. Artisans and artists began to publish handbooks, guides, treatises, tip sheets, graphs and recipe books rather than simply pass along their knowledge in the workshop. And they tried to articulate what the new knowledge meant. The popularity of these texts coincided with the founding of a 'new philosophy' that sought to investigate nature in a new way. Smith shows how this moment began in the unceasing trials of the craft workshop, and ended in the experimentation of the natural scientific laboratory. These epistemological developments have continued to the present day and still inform how we think about scientific knowledge"--
Painting the Sacred in the Age of Romanticism
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious id...
The Artist as Reader: On Education and Non-Education of Early Modern Artists
Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period – in order to outline what artists’ reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in...
The Medici: Portraits and Politics 1512–1570
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 15...
Art and Curiosity Cabinets of the Late Renaissance
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of ...
The Long Quarrel
The Long Quarrel: Past and Present in the Eighteenth Century examines how the intellectual clashes emerging from the Quarrel of the Ancients and the Moderns continued to reverberate until the end of the eighteenth century. This extended Quarrel was not just about the value of ancient and modern, but about historical thought in a broader sense. The tension between ancient and modern expanded into a more general tension between past and present, which were no longer seen as essentially similar, but as different in nature. Thus, a new kind of historical consciousness came into being in the Long Quarrel of the eighteenth century, which also gave rise to new ideas about knowledge, art, literature and politics. Contributors are: Jacques Bos, Anna Cullhed, Håkon Evju, Vera Faßhauer, Andrew Jainchill, Anton M. Matytsin, Iain McDaniel, Larry F. Norman, David D. Reitsam, Jan Rotmans, Friederike Voßkamp, and Christine Zabel.
Neulateinisches Jahrbuch Band. 21 / 2019
Conspectus rerum In memoriam THOMAS BAIER, Eckart Schäfer (1939–2018) / INGRID DE SMET, Ann Moss (1938–2018) / JEANINE DE LANDTSHEER, Chris L. Heesakkers (1935–2018) I. Commentationes NICHOLAS DE SUTTER, Triumphus veri amoris and the Reception of Hosschius’ Elegiae in mortem duorum militum Hispanorum (1650) on the Jesuit Stage / PETER GODMAN †, Empathy with Aliens: Poggio Bracciolini and Niccolò Niccoli / THOMAS HAYE, Carlo Vanucio da San Giorgio und die Verschwörung gegen Herzog Borso d’Este (1469) / LUKE B. T. HOUGHTON, Astrae Revisited: The Virgilian Golden Ages of Tudor England / ÁGNES JUHÁSZ-ORMSBY/FARKAS GÁBOR KISS, Leonard Cox’s Pedagogical Commentaries / HANS KILB...
Prometheus Tamed
Over 8,200 large city fires broke out between 1000 and 1939 CE in Central Europe. Prometheus Tamed inquires into the long-term history of that fire ecology, its local and regional frequencies, its relationship to climate history. It asks for the visual and narrative representation of that threat in every-day life. Institutional forms of fire insurance emerged in the form of private joint stock companies (the British model, starting in 1681) or in the form of cameralist fire insurances (the German model, starting in 1676). They contributed to shape and change society, transforming old communities of charitable solidarity into risk communities, finally supplemented by networks of cosmopolite aid. After 1830, insurance agencies expanded tremendously quickly all over the globe: Cultural clashes of Western and native perceptions of fire risk and of what is insurance can be studied as part of a critical archaeology of world risk society and the plurality of modernities.
Conflicting Values of Inquiry
Historical research in previous decades has done a great deal to explore the social and political context of early modern natural and moral inquiries. Particularly since the publication of Steven Shapin and Simon Schaffer’s Leviathan and the Air-Pump (1985) several studies have attributed epistemological stances and debates to clashes of political and theological ideologies. The present volume suggests that with an awareness of this context, it is now worth turning back to questions of the epistemic content itself. The contributors to the present collection were invited to explore how certain non-epistemic values had been turned into epistemic ones, how they had an effect on epistemic content, and eventually how they became ideologies of knowledge playing various roles in inquiry and application throughout early modern Europe.
When Michelangelo Was Modern
Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium “When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450–1650,” organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection.
