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Pleasure and Pain in Nineteenth-century French Literature and Culture
From Sade at one end of the nineteenth century to Freud at the other, via many French novelists and poets, pleasure and pain become ever more closely entwined. Whereas the inseparability of these themes has hitherto been studied from isolated perspectives, such as psychoanalysis, sadism and sado-masochism, melancholy, or post-structuralist textualjouissance, the originality of this collaborative volume lies in its exploration of how pleasure and pain function across a broader range of contexts. The essays collected here demonstrate how the complex relationship between pleasure and pain plays a vital role in structuring nineteenth-century thinking in prose fiction (Balzac, Flaubert, Musset, M...
The Cambridge Companion to European Novelists
A survey of 25 major European novelists from Cervantes to Kundera, highlighting their contributions to the genre.
Gynecological Oncology
'This book, Gynecological Oncology-Basic Principles and Clinical Practice, is a detailed resource. It gives relevant principles to help successfully utilize the latest diagnostic methodologies and management strategies in all aspects of gynecologic oncology. It deals with practical tips and evidence on core topics such as surgical practices, chemotherapy, radiation and palliative care in oncology which help with skill enhancement and improve understanding. Besides, laying the foundation for management of clinical gynecological oncology, it promotes lateral thinking, a holistic approach and is useful in daily practice as a go-to for practitioners and academics with teaching commitments.
Changing France
The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. French literature also underwent fundamental changes during this period as writers embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.
Storytelling and the Sciences of Mind
An transdisciplinary exploration of narrative not just as a target for interpretation but also as a means for making sense of experience itself. With Storytelling and the Sciences of Mind, David Herman proposes a cross-fertilization between the study of narrative and research on intelligent behavior. This cross-fertilization goes beyond the simple importing of ideas from the sciences of mind into scholarship on narrative and instead aims for convergence between work in narrative studies and research in the cognitive sciences. The book as a whole centers on two questions: How do people make sense of stories? And: How do people use stories to make sense of the world? Examining narratives from ...
André Antoine
This book investigates Antoine's exploration of the possibilities and limitations of stage realism, his concept of a workshop theatre for new writing and acting, his experiments and achievements in the mise en scene at the Théâtre Libre and Théâtre Antoine, in the classics at the Odéon and in the early silent film.
Clues: A Journal of Detection, Vol. 34, No. 2 (Fall 2016)
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
The Cambridge Companion to Balzac
Leading specialists shed new light on key narrative and thematic features of the writings of Honoré de Balzac.
Ghost Rider
Not since Kiss of the Spider Woman has a story about the effects of persecution on the human mind interwoven fantastic and realistic elements as effectively. A story of biting irony and bitter satire, leaning heavily on Nabokov s Pale Fire, Ghost Rider addresses contemporary social concerns with its elegant, crisp prose. The protagonist has no name and no identity. Together with her memory, they have been taken in a Latin American war. When she falls for a famous rider, she must descend into the pits of her past, to tell him her story, and is forced to add new chapters as she peels away hidden layers of herself. Initially, there seems to be nothing wrong with her, except for a strange affinity for ghosts. Her memories of fear-filled nights take her back to Peru, into the vengeful mind of an executed man. Claiming she has killed him, he tries to convince her of the advantages of being dead. To banish him, she sets music against her blood-reeking past. When she finally succeeds, she is eighty-two. But it might be a dream, like the rest of her story, or her final nightmare. Nothing rules out that she could awake in the torture chamber, facing her final hour.
