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Insignis Sophiae Arcator
Some thirty years ago Michael Herren burst on the medieval Latin scene with his edition and translation of the notoriously difficult Hisperica Famina, and followed this a few years later with his translation of the prose works of Aldhelm. Notice was given that a junior scholar, unafraid to tackle some of the most obscure, complex, and arcane Latin, wished to make it accessible to non-Latinists as well as to those Latinists who lacked his particular skills. Not content with labouring alone in that field, Herren gathered scholars in Toronto to a conference on Insular Latin Studies, the proceedings of which he published two years later. Over the years he shed considerable light on such obscure ...
Medieval Latin
Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of...
Christ in Celtic Christianity
Interprets the nature of Christianity in Celtic Britain and Ireland from the 5th to the 10th cent., based on written and visual evidence- images of Christ in manuscripts, metalwork and sculpture. The strain of the Pelagianism in Britain in the early 5th century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea, making theological spectrum quite distinct from that of the continent.
Litterarum Dulces Fructus
"Litterarum dulces fructus presents studies about medieval languages and literature in northern Europe in late antiquity and the Middle Ages. Drawing inspiration from the scholarship of Professor Michael Herren (founding editor of 'The Journal of Medieval Latin'), this florilegium of studies advances our understanding of the dynamics of Latin and vernacular literature and learning in the early medieval world. Taken together, the papers gathered in this volume cast light on authors, poets, glossators, and compilers at work as they grappled with linguistic and literary ambitions and challenges, while negotiating their use of ancient authorities to address contemporary concerns."--
The Gaelic Background of Old English Poetry before Bede
Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes (“wise ones”) produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede’s description of Cædmon’s production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian “Golden Age”, its manuscripts, hagiography, and writings of Aldhelm and Bede.
An Introduction to the Study of Medieval Latin Versification
Dag Norberg's analysis and interpretation of Medieval Latin versification, which was published in French in 1958 and remains the standard work on the subject, appears here for the first time in English with a detailed, scholarly introduction by Jan Ziolkowski that reviews the developments of the past fifty years.
Poetry and Philosophy in the Middle Ages
A collection of essays written by pupils, friends and colleagues of Professor Peter Dronke, to honour him on his retirement. The essays address the question of the relationship between poetry and philosophy in the Middle Ages. Contributors include Walter Berschin, Charles Burnett, Stephen Gersh, Michael Herren, Edouard Jeauneau, David Luscombe, Paul Gerhardt Schmidt, Joe Trapp, Jill Mann, Claudio Orlandi and John Marenbon. It is an important collection for both philosophical and literary specialists; scholars, graduate students and under-graduates in Medieval Literature and in Medieval Philosophy.
The Anatomy of Myth
The Anatomy of Myth is a comprehensive study of the methods of interpreting authoritative myths from the Presocratic philosophers to the Neoplatonists and their adoption by the Church Fathers.
Legions of Pigs in the Early Medieval West
An exploration of life in the early medieval West, using pigs as a lens to investigate agriculture, ecology, economy, and philosophy From North Africa to the British Isles, pigs were a crucial part of agriculture and culture in the early medieval period. Jamie Kreiner examines how this ubiquitous species was integrated into early medieval ecologies and transformed the way that people thought about the world around them. In this world, even the smallest things could have far‑reaching consequences. Kreiner tracks the interlocking relationships between pigs and humans by drawing on textual and visual evidence, bioarchaeology and settlement archaeology, and mammal biology. She shows how early medieval communities bent their own lives in order to accommodate these tricky animals—and how in the process they reconfigured their agrarian regimes, their fiscal policies, and their very identities. In the end, even the pig’s own identity was transformed: by the close of the early Middle Ages, it had become a riveting metaphor for Christianity itself.
Cosmos and Community in Early Medieval Art
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
