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Visualization and Critical Digital Pedagogies
This comprehensive study of digital visualization brings together insights from the fields of anthropology and music analysis and explores their import for critical pedagogy and digital education. Anchored on an array of ethnographically informed examples of visualization, it discusses the cultural, educational and cognitive repercussions of our engagement with visually-centered research and teaching. The book offers a hands-on approach to experimental pedagogies attuned to the needs of researchers, educators and artists in the digital humanities who seek to open passageways between theory and praxis.
Music Performance Encounters
Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into a performative one? These, and other related questions, form the central focus of this book, with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challeng...
Makam
A full length treatment of the modal system used in Turkish art music including the music of the Whirling Dervishes. An invaluable aid to students of Turkish music and ethnomusicologists
The Emergence of Form
'The Emergence of Form' is a publication about design. It concerns the necessity of producing exactly the right form, just as in nature. A look at the evolution in the oeuvre of Maria Blaisse allows us to visually follow how one form, as it were, emerges from another. In this publication Maria Blaisse discusses her in-depth research into form in various materials and the numerous application possibilities, both autonomous and product-oriented. This idiom of form is examined from various perspectives from other disciplines.
The Raga Guide
The Raga Guide is an introduction to Hindustani ragas, the melodic basis for the classical music of Northern India, Pakistan, Nepal and Bangladesh.
In Between, Di Antara
Suatu hari, telah kutanggalkan kanak-kanakku untuk sampai di sebuah antara perjalanan menuju dewasa Perantauan ÑAngelina Enny, ÒSuatu Hari Aku MenyeberangÓ. The colours of the heart cannot be captured on a flag And what can science explain about your suffering? What do the numbers say about the memories that haunt you in dreams? ÑRobin Block, ÒInner War.Ó
Music of the Ottoman Court
Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
Ritorno a Delfi
Vivì Choleva, donna di mezza età, infermiera a domicilio, decide di concedersi una breve vacanza nella zona archeologica di Delfi, l’ombelico del mondo antico, nella speranza di recuperare il rapporto col figlio Linos trentenne, condannato all’ergastolo per l’omicidio di una ragazza e per lo stupro di molte altre, in licenza per buona condotta. Tutto quello che desidera è passare un fine settimana normale per una famiglia normale. Allo stesso tempo vittima e carnefice, Vivì si condannerà a ricordare come tutto ha avuto inizio: le sue freddezze, la sua assenza, poi il terrore della scoperta dei crimini di Linos e infine la denuncia alla polizia. Chi è la vittima, e chi il carnefice?
Community Music Therapy
Music therapists from around the world working in conventional and unconventional settings have offered their contributions to this exciting new book, presenting spirited discussion and practical examples of the ways music therapy can reflect and encourage social change. From working with traumatized refugees in Berlin, care-workers and HIV/AIDS orphans in South Africa, to adults with neurological disabilities in south-east England and children in paediatric hospitals in Norway, the contributors present their global perspectives on finding new ways forward in music therapy. Reflecting on traditional approaches in addition to these newer practices, the writers offer fresh perceptions on their identity and role as music therapists, their assumptions and attitudes about how music, people and context interact, the sites and boundaries to their work, and the new possibilities for music therapy in the 21st century. As the first book on the emerging area of Community Music Therapy, this book should be an essential and exciting read for music therapists, specialists and community musicians.
The Music of the Arabs
(Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.
