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This book is a timely introduction in English to one of the most wide-ranging and imaginative philosophical projects of the last fifty years. It offers close readings of the main themes of Michel Henry's philosophy, a philosophy that has produced some of the most devastating critiques of phenomenology, Freudianism, and Marxism in this period. The author's contrasting of Henry's material phenomenology with Derridean deconstruction extends the range of recent critical theory in terms of embodiment and affectivity. In an age of rejuvenated evangelism and fundamentalism, the author's reading of Henry's later work on religion as an extension of his material phenomenology also presents a challenging examination of the foundations of Christian faith and belief. Presented in a clear and straightforward manner, with careful explication of the more difficult passages from Henry, this book also makes accessible to English readers, for the first time since their original publication, many of the texts central to Henry's phenomenology. It should be a welcome resource for researchers in the fields of French phenomenology and the phenomenology of religion.
Michel Henry (1922-2002) was a French philosopher and novelist whose work spanned decades and genres while remaining united by a singular vision. In this specially commissioned collection, eight internationally recognized experts on Henry's thought investigate his profound acquaintance with the mystery of life-which he understood as the irreducible bedrock of all reality-in its self-manifestation under the rubrics of phenomenological experience, religion, and praxis. Each chapter investigates a different aspect of Henry's remarkable range of thought, focusing on his special relevance to debates on the relationship of phenomenology and theology as well as to contemporary radical discourses on embodiment and immanence, politics and theory. Henry's phenomenology of life is both deep and demanding, and its relevance to the topics under examination in this book cannot be denied. This collection represents the first sustained effort in coming to an understanding of just how far and wide that relevance reaches. It will not only spark a resurgence in Henry studies, but resonate within that sphere for many years to come.
Providing theoretical and applied analyses of Michel Henry's practical philosophy in light of his guiding idea of Life, this is the first sustained exploration of Henry's practical thought in anglophone literature, reaffirming his centrality to contemporary continental thought. This book ranges from the tension between his methodological insistence on life as non-intentional and worldly activities to Henry's engagement with the practical philosophy of intellectuals such as Marx, Freud, and Kandisky to topics of application such as labor, abstract art, education, political liberalism, and spiritual life. An international team of leading Henry scholars examine a vital dimension of Henry's thinking that has remained under-explored for too long.
Barbarism represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Husserl, and Heidegger. First published in French in 1987, Barbarism aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person. Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world.
The first collection of twentieth-century French philosopher Michel Henry's work in English, this book provides an excellent introduction to his thought.
Provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky.
A part of the "return to religion" now evident in European philosophy, this book represents the culmination of the career of a leading phenomenologist who investigates the multiple kinds of truth associated with Christianity.
This book was born of a refusal, the refusal of the very philosophy from which it has sprung. After the war, when it had become apparent that the classical tradition, and particularly neo-Kantianism, was breathing its last, French thought looked to Germany for its inspiration and renewal. Jean Hyppolite and Kojeve reintroduced Hegel and the "existentialists" and phenomenologists drew the attention of a curious public to the fundamental investigations of Husserl and Heidegger. If only by being understood as a phenomenological ontology, this books speaks eloquently enough of the debt it owes to these thinkers of genius. The conceptual material which it uses, particn1arly in chapters 1 to 44, o...
This book is Michel Henry's most sustained investigation of Husserlian phenomenology. With painstaking detail and precision, Henry reveals the decisive methodological assumptions that led Husserlian phenomenology in the direction of Idealism. Returning to the materiality of life, Henry's material phenomenology situates central phenomenological themes--intentionality, temporality, embodiment, and intersubjectivity--within the full concreteness of life. One of the most accessible of Henry's books, Material Phenomenology is essential reading for those interested in the future of phenomenology or in a philosophy of life in the truest sense.