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Art Brut
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The Painted Body
Man is distinguished from animals by a self-retouching impulse, an urge to remake his own body. This book surveys and illustrates the different kinds of body decoration, such as painting, make-up, tattooing, and scarring, which have been practiced all over the world from prehistoric times to the Body Art and cosmetics of today. The social implications are spelled out in detail.
Castration
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Shattered Forms
Art Brut, also termed Outsider Art, has long been suppressed from most art historical writing. Why this rejection? The hyperbolic expressions of Romanticism and Symbolism nourished a desire for derangement and dissociation that inspired both Expressionism and Surrealism. Simulated delirium became the object of the new art -- experimental, avant-garde, modernist -- which arose from the fragmented codes, the shattered forms of everyday communication. But what of those artists whose works, and often whose deliria, are the manifestations of sheer eccentricity, of social isolation and marginalization, or of madness? In this book Weiss investigates the origins of the unrestricted contemporary arti...
The Aesthetics of Excess
This book investigates the reciprocal and often transgressive relations between rhetorical figures and libidinal activity. The works of Nietzsche, Artaud, Bataille, Klossowski, and Sade are reconsidered in light of the modernist and postmodernist problematics of simulacra, fascination, sublimation and desublimation, perversion, deconstruction, and libidinal economies. Reading across the boundaries of philosophy, art history, comparative literature, film studies, and psychoanalytic theory, this work reveals the manner in which theoretical discourse is imbued with passional motivations, and, conversely, shows how the passions are structured according to logical and rhetorical figures. In offering specific rereadings of several key figures of our modernist tradition, this work helps identify the sources of the 'postmodern condition.' It thus provides a theoretical foundation for contemporary art and literary criticism--especially of those works to be found at the margins of our culture.
Written on the Body
Oettermann -- The changing image of tattooing in American culture, 1846-1966 / Alan Govenar -- Inscriptions of the self: reflections on tattooing and piercing in contemporary Euro-America / Susan Benson.
The Glory of Van Gogh
The author explores how and why the impoverished and mentally tormented Van Gogh came to be glorified shortly after his suicide at the age of 37. Apart from describing his life she also explores the economics of the art market. In an appendix attention is given to Van Gogh and art criticism in France, 1888- 1901.
An Older and More Beautiful Belgrade
This grand illustrated essay depicts the devolution of Serbia’s capital during the exceptionally difficult years of Slobodan Milošević’s rule. An interwoven fabric of facts, reflections, insights, and photographs presents Belgrade in a portrait as imaginative and unique as this city’s culture and life are. Integrating cultural anthropology, the history of art and architecture, urban studies and political commentary, Prodanović analyses changes to the city’s visual environment during the 1990s which reveal the impact of deeper social forces. Many aspects of life are covered, some with great ingenuity: the transition from socialism to shopping centers, unregulated construction and modifications of buildings, the redesign of banknotes during hyperinflation, political campaigns and organized campaigns of defacement, beer labels, religious icons in shop windows, graffiti, kitsch, “celebrity charlatans” on TV, gangsters’ tombstones, boondoggles such as an international art center, and much more. All this information is presented with astute analysis from a local perspective and not a little humor.
Imagery and Ideology
Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of "modernity." Illustrated.
Early and contemporary spirit artists, psychic artists and medium painters from 5,000 B.C. to the present day. History, Study, Analysis
EARLY AND CONTEMPORARY SPIRIT ARTISTS, PSYCHIC ARTISTS AND MEDIUM PAINTERS FROM 5,000 B.C. TO THE PRESENT DAY. History, Study, Analysis. Scientifical, Psychological, Philosophical, Artistical, and Metaphysical Study of Mediumship in Art (730 Pages). Published by Times Square Press, New York. This is the University-Economy Edition. Also available in Museum Edition, a collector's item, deluxe edition in full colors printed on glossy, heavy stock paper. Also available in ebook edition in 3 volumes. This is a world's premiere; the first encyclopedic book on this subject, ever printed. Authoritative, comprehensive, documented, fully illustrated, and rich in content, analysis, historical presentation, and comparative studies of all the facets and genre of Spirit Art, Psychic Art, and Mediumistic Art. A true treasure. For more information, contact Marla Cohen at newyorkgate@aol.com
