You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A fine collection...an excellent introduction to Chrétien's world and work. Highly recommended. CHOICE Chrétien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chrétien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on the themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chrétien and related studies, hav...
The essays in this volume portray the public life of late medieval France as that country established its position as a leader of western European society in the early modern world. A central theme is the contribution made by contemporary writers, chroniclers and commentators, such as Jean Froissart, William Worcester and Philippe de Commynes, to our understanding of the past. Who were they? What picture of their times did they present? Were their works intended to influence their contemporaries and what success did they enjoy? Other contributions deal with the exercise of political power, the relationship between the court and those in authority in far-flung reaches of the kingdom, and the role and status of the death penalty as deterrent, punishment and means of achieving justice. "... a very valuable overview of recent work on the interface between the intellectual and the political history of the Valois realm."—De Re Militari Online "... this collection will be of particular interest to literary scholars as well as historians in view of the emphasis of many of the essays on representations above event or record."—Medium Aevum
Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.
None
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.
None
In the Mirror of the Prodigal Son provides a comprehensive history of the function of the parable of the prodigal son in shaping religious identity in medieval and Reformation Europe. By investigating a wealth of primary sources, the book reveals the interaction between commentaries, sermons, religious plays, and images as a decisive factor in the increasing popularity of the prodigal son. Pietro Delcorno highlights the ingenious and multifaceted uses of the parable within pastoral activities and shows the pervasive presence of the Bible in medieval communication. The prodigal son narrative became the ideal story to convey a discourse about sin and penance, grace and salvation. In this way, the parable was established as the paradigmatic biography of any believer.