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The Hemshin
The Hemshin are without doubt one of the most enigmatic peoples of Turkey and the Caucasus. As former Christians who converted to Islam centuries ago yet did not assimilate into the culture of the surrounding Muslim populations, as Turks who speak Armenian yet are often not aware of it, as Muslims who continue to celebrate feasts that are part of the calendar of the Armenian Church, and as descendants of Armenians who, for the most part, have chosen to deny their Armenian origins in favour of recently invented myths of Turkic ancestry, the Hemshin and the seemingly irreconcilable differences within their group identity have generated curiosity and often controversy. The Hemshin is the first ...
Archaeology & Pilgrimage
Engramma 204 collects researches and findings of several Italian and European scholars who have dealt with aspects related to ancient, Medieval and Modern pilgrimage along the main three European Routes (Via Romea Francigena, Via Romea Strata, Via Romea Germanica), or along other routes to the Holy Land. The issue is divided into three sections. The first one is dedicated to the European project rurAllure by Martín López Nores, José Juan Pazos Arias, Susana Reboreda Morillo, Óscar Penín Romero, which focuses on the enhancement of minor sites along the pilgrimage routes of Europe, and it is accompanied by an overview on the development of promotional activities for some Italian cases sup...
Under the Volcano. Warburg’s Legacy
Under the Volcano. Warburg’s Legacy, explores the enduring influence of Aby Warburg’s ideas, likening his intellectual legacy to volcanic activity–continually shaping the landscape of cultural history. If Warburg “was a volcano”, this issue is structured around the metaphorical fissures and lava flows, and is divided into four sections: Unpublished, Rediscovery, Readings, Presentation.
Warburg and Living Thought
Aby Warburg, the founder of a new Science of Culture, the scholar who gave back word to the image; a “militant” intellectual (so wrote Gertrud Bing), for whom no distinction exists between life and thought; pioneer of new research methods, inventing ‘machines’ of knowledge; architect of spaces designed as arenas of thought. The Library for the Science of Culture (transferred from Hamburg to London in 1933) and the Mnemosyne Atlas are the achievements to which the most substantial part of his heritage is linked. The ten essays here collected for the first time, all stemming from the Italian cultural milieu, trace with clarity Warburg’s “living thought”. Giorgio Pasquali, Mario P...
e153 | Mnemosyne chellenged
Editorial paper, Monica Centanni, Anna Fressola, Elizabeth Thomson Ernst H. Gombrich, Geburtstagsatlas: An Index of materials published in Engramma, by Seminario Mnemosyne Ernst H. Gombrich, Geburtstagsatlas für Max M. Warburg (1937). First digital edition, by Seminario Mnemosyne Ernst H. Gombrich, To Mnemosyne: An Introduction to Geburtstagsatlas (1937), by Seminario Mnemosyne Zwischenraum/Denkraum. Terminological Oscillations in the Introductions to the Atlas by Aby Warburg (1929) and Ernst Gombrich (1937), Victoria Cirlot “L’esprit de Warburg lui-même sera en paix”. A survey of Edgar Wind’s quarrel. With the Warburg Institute. Appendix: The Warburgkreis correspondence, Ianick Takaes de Oliveira A Review of Ernst H. Gombrich, Aby Warburg: An Intellectual Biography (London 1970). First digital edition, Edgar Wind A Laboratory of the Science of Culture. Review of A. Warburg, Gesammelte Schriften (1933). First digital edition, Johan Huizinga. Edition and translation by Monica Centanni, Sergio Polano and Elizabeth Thomson Autobiography of a Warburgian Artist. Review of: Ronald B. Kitaj Confessions of an Old Jewish Painter (2017), Matias J. Nativo, Alessia Prati
e176 | After Warburg
Editoriale a cura di Maurizio Ghelardi e Daniela Sacco. Maurizio Ghelardi, Edgar Wind, Percy Schramm e il Warburg-Kreis. Sui concetti di Nachleben, renovatio, correctio. Ianick Takaes, The Demented, the Demonic, and the Drunkard. Edgar Wind’s Anarchic Art Theory. Adrian Rifkin, Mnemosyne, Itself. Elizabeth Sears, Warburg and Steinmann as Forschertypen. Lucrezia Not, La complessa vicenda editoriale di Saturno e la melanconia. Quattro lettere inedite del carteggio Einaudi-Warburg Institute. Lucas Burkart, “Le fantasticherie di alcuni confratelli amanti dell’arte...”. Sulla situazione della Biblioteca Warburg per la Scienza della Cultura tra il 1929 e il 1933, traduzione di Costanza Giannaccini. Roberto Ohrt e Axel Heil, Sul Nachleben di Mnemosyne.Bilderatlas Mnemosyne-The Original. Eine Konflikt Geschichte. Interview with Roberto Ohrt, on the exhibition in Berlin. Interview by Bianca Maria Fasiolo Neville Rowley, Atlas redux.
191 | Aby Warburg: His Aims and Methods
In this issue of Engramma: Giulia Zanon’s Zooming Mnemosyne deals with the use of details in Warburg’s Bilderatlas, Monica Centanni’s Collateral effects of the “visibile parlare” (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajan’s Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfetti’s Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's life”. The focus of this issue is then extended to Warburg's cultural environme...
e156 | Il 68 che verrà
Il 68 che verrà. Editoriale, Monica Centanni, Fernanda De Maio e Michela Maguolo Il 68 che verrà. Saggio corale, Seminario Mnemosyne, coordinato da Monica Centanni e Peppe Nanni, con Maddalena Bassani, Fernanda De Maio, Anna Fressola, Anna Ghiraldini, Michela Maguolo, Roberto Masiero, Alessandra Pedersoli, Alessandro Visca e Nicolò Zanatta In Decorosa Mente, Barbara Biscotti, Anna Fressola e Nicolò Zanatta Iuav 68. Labirinto politico, Michela Maguolo e Roberto Masiero, con la collaborazione di Maddalena Bassani, Monica Centanni, Fernanda De Maio, Anna Fressola, Anna Ghiraldini, Alessandra Pedersoli e Nicolò Zanatta A est del 68. Rivoluzione antiautoritaria a ritmo di città, Fernanda De Maio Il dispositivo Foucault, Marco Assennato Mai 68 n’a pas eu lieu, Gilles Deleuze e Félix Guattari, traduzione di Vincenzo Bellizzi G comme ‘gauche’, Gilles Deleuze Il 68 che verrà... è già avvenuto, Roberto Masiero Un movimento anti-autoritario a dimensione internazionale, Marco Boato Il futuro del Sessantotto, Antonio Benci
e167 | Architetture e spazi a tempo di rock. Pink Floyd e dintorni
Editoriale Michela Maguolo, Alessandra Pedersoli The Last Great Event. Isle of Wight Festival, August 26th-30th, 1970 Redazione di Engramma Effimero veneziano Sara Marini “Persi par persi, ’ndemo a consolarse” Giacomo Maria Salerno A Momentary Lapse of Reason: i Pink Floyd a Venezia fra Modena e Berlino Patrizio Cherubini, Michela Maguolo Roger Waters. The Wall in Berlin Cesare Molinari Visioni in technicolor Alessandra Pedersoli Variazioni sul Rock: Le Orme fra Venezia e il mondo Tony Pagliuca, Michela Maguolo Getting close to the Moon Boris Savoldelli, Alessandra Pedersoli
193 | Tracce Finestre Visioni
The issue of Engramma “Tracce Finestre Visioni” (Traces Windows Visions) collects a series of contributions focused on the relationship between text and image, with particular insistence on the boundary between them as labile, porous and fragile: with holes and gaps that take the form of windows; latencies and wounds that appear like visions; persistences that are perceivable as traces. The first section includes a group of essays on contemporary arts: Marina Apollonio, Fusionecircolare/ Endings. Tra arte cinetica e testo usicale elettroacustico, by Guglielmo Bottin; Embodiment vs Rejectingness. Per una evoluzione del “sistema di filtri” nell’opera di Pierre Bonnard (1925-1935), by...
