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"[Student will learn the following:] open a fake book/sheet music with chord symbols and play a tune, accompany vocalist/instrumentalist on any type of tune, get a solo piano/vocal gig, use the piano as a helpful tool to practice vocal improvisation, analyze the chord changes to a song and understand the function of each chord within the progression, double-check published leads-sheets for accuracy, improve composition skills by being able to play and hear the tunes, improve improvisation skills by understanding the harmonic construction of a song."--Page 2
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The companion sheet music book to Tomorrow's Daydream, the solo piano album by composer and pianist Brian Kelly. 11 songs, 84 pages, printed, coil bound, glossy cover, for intermediate to advanced players.
“Year of Wonder is an absolute treat—the most enlightening way to be guided through the year.” — Eddie Redmayne A unique celebration of classical music that showcases one inspirational piece each day of the year, written by an award-winning violinist and BBC Radio personality Classical music has a reputation for being stuffy, boring, and largely inaccessible, but Burton-Hill is here to change that. An award-winning writer, broadcaster and musician, with a deep love of the art form she wants everyone to feel welcome at the classical party, and her desire to share her passion for its diverse wonders inspired this unique, enlightening, and expertly curated treasury. As she says, “The ...
This is the piano accompaniment for Suzuki Cello School Volume 3 (Revised). Titles: * Berceuse, Wiegenlied or Lullaby, Op. 98, No. 2 (F. Schubert) * Tonalization: The Moon over the Ruined Castle (R. Taki) * Gavotte (J.B. Lully) * Minuet from Sei Quintetti for Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini) * Tonalization: The Moon over the Ruined Castle (R. Taki) * Scherzo (C. Webster) * Minuet in G, Wo0 10, No. 7 for Piano (L. van Beethoven) * Gavotte in C Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Minuet No. 3, BWV Anh. II 114/Anh. III 183/Anh. II, 115 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * La Cinquantaine (Gabriel-Marie) * Allegro Moderato from Sonata I in G, BWV 1027 for Viola da Gamba (J.S. Bach)
Onstage and offstage, the Grateful Dead ran their band on their own terms. Each concert was different from the last, and their fans loved them for it. Many of the band's songs were autobiographical, and their fans could relate to life's ups and downs, which included drug and alcohol addiction, death of band members, illness, and breakups of personal relationships. Featuring fascinating sidebars, revealing direct quotations, and accessible language that highlights the sense of community that existed among Deadheads, this book delves into the thirty-plus-year career of the Grateful Dead and looks to the future of its founding members.