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Lydia Hamilton was a modern woman, happily in love and living in Canada until the nightmares. Following the death of her father, Lydia begins dreaming of places and people she doesnt know. When she closes her eyes, she sees a bloodied, severed head. The images are confusing and unclear, but she knows one thing for sure: something bad happened a long time ago. And why only now have the dreams begun? Events propel Lydia to Devon, England, to the home of the mother she never knew, where the lies of her familys past begin to reveal themselvesdating back to the sixteenth century and a woman called Elisabeth Beeton, a servant at the Court of King Henry VIII. Caught amid forces she can neither control nor understand Elisabeths life was in danger. How is Lydias modern life related to the life of this tragic woman from the past? Without the guidance of her father, its hard to say, but Lydia is dedicated to solving the mystery in an effort to put an end to her night terrors and save her relationship with the man she loves. But will the truth set her free, or will the realization of her familys past actions haunt her like the ghost of a woman betrayed?
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The Baron de Teroze has successfully married off his eldest daughter to a Colonel of the Dragoons, and now it is time for him to arrange his younger daughter's nuptials. The leading magistrate of the parliament at Aix seems to him the ideal candidate. Unfortunately, the young Mademoiselle de Teroze is in love with another man. A series of hilarious manipulations designed to rid the beautiful marchioness of her odious old husband ultimately result in an astonishing yet fitting denouement. French author Marquis de Sade (1740-1814) is best known for his licentious novels and pornographic writings, many of which were penned during his frequent stays in prison and, ultimately, a mental asylum. Recently he has been reinterpreted as a moralist whose unflinching investigations into the nature of sexual pathology anticipated Nietzsche and Freud.
Since the opening of their studio in 1982, the partnership of Domenico Dolce and Stefano Gabbana has come to symbolize the new generation of Italian design. Appropriating elements of Italian culture and traditional Sicilian literature, Dolce & Gabbana has invented a mode of expression that is strong, sensual, and modern -- and accordingly is represented by three powerful contemporary icons: Isabella Rossellini, Linda Evangalista, and Madonna. Recognized today among the great names in fashion, Dolce & Gabbana offers a style that truly incarnates "la dolce vita" at the end of this century.
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Jazz Sells: Music, Marketing, and Meaning examines the issues of jazz, consumption, and capitalism through advertising. On television, on the Internet, in radio, and in print, advertising is a critically important medium for the mass dissemination of music and musical meaning. This book is a study of the use of the jazz genre as a musical signifier in promotional efforts, exploring how the relationship between brand, jazz music, and jazz discourses come together to create meaning for the product and the consumer. At the same time, it examines how jazz offers an invaluable lens through which to examine the complex and often contradictory culture of consumption upon which capitalism is predicated.