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Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
Throughout the fin de siècle, "energy" was a buzzword that was used far beyond the boundaries of the sciences to negotiate the formative scope as well as limits of Western modernity. The human body was positioned at the center of the visualization of this enigmatic drive of all movement in discourses on labor and economics, physical culture, sport, art, and literature. It was through the body that this all-pervading and conditioning physical principle as well as its perceptual qualities were to be made tangible. This volume is dedicated to these "energetic bodies." The transdisciplinary individual contributions trace body scenarios of force and energy over the course of history from 1800 to the peak phase around 1900 and up to the present.
The life of Vesalius, the foremost pioneer of modern anatomy, has never before been told in full. the present definitive biography, published in 1964 to mark the four-hundredth ear since Vesalius's death, fills a serious gap in medical history. It is, in fact, the first biography of the great anatomist since Moritz Roth's work of 1892. Much new information has come to light in the intervening seventy years which enables O'Malley to reassess Vesalius in relation to his eminent contemporaries and to re-evaluate his contributions to anatomy and to medical science in general. O'Malley gives a detailed account of Vesalius's studies of anatomy in Paris, Padua, Pisa, and Bologna, and is thus able t...
First multi-year cumulation covers six years: 1965-70.
Reprint of the original, first published in 1836.
Updated to reflect the most recent species classifications, a second edition of the beautifully illustrated and beloved guide to 600 members of the suborder Serpentes. For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick, and so these creatures have held a special place in our cultures. Yet, for as many meanings as we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders. Now in a new edition, ...