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The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.
Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.
Michèle Cohen Hadria interviewe trois artistes tunisiennes; Nicène Kossentini, Mouna Karray et Moufida Fedhila. Chaque interview parle du travail, depuis la révolution en la Tunisie, de chacune de ces artistes et présente une discussion dans un contexte politique de la Tunisie contemporaine.
Michèle Cohen Hadria interviews Nicène Kossentini, Mouna Karray and Moufida Fedhila three women artists living and working in Tunisia today. The interviews discuss the work of these artists since the revolution and feature a discussion of artistic creation against the political backdrop of contemporary Tunisia. The interviews featured are accompanied by photographs of the artists’ works.
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A book of photographs that examines Harlem's paradox of place:the tension between the everyday reality of its streets - often contentious, always complex- and the cultural brand it has established in our collective imagination. While exploring one of America's great "main streets" during a time of profound transition, the project raises questions about urban flux, gentrification, and the loss of cultural memory. The coffee-table book measures 10.5 x 12 inches / 26.7 x 30.5 cm, features 68 color plates in a linen-clad hardcover with deboss, typeset in Helvetica Neue Light. Offset printing is on Galerie Art Silk 176/gsm paper. Book design is by Patricia Childers with contributions from historian Jonathan Gill and an insightful text by noted author and photography critic Vicki Goldberg.
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