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The Valkyries’ Loom
Using textiles to understand gender and economy in Norse societies In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic. This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unkn...
The Hidden Lives of Viking Women
Combines evidence from Icelandic sagas, law codes, poems, runic inscriptions and archaeology to provide and interpret direct evidence about Viking Age and Norse women, their status, roles in religion, place in law, and agency within a strongly male dominated society, examining gender and identity as it was worn, lived, and created.
The Valkyries' Loom
In 'The Valkyries' Loom', Michle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic. This groundbreaking study is based on the author's systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years.
Draupnir's Sweat and Mardöll's Tears
Items of jewellery in Icelandic society traditionally have been analysed in typological, chronological and technological terms with descriptive approaches to discussing their presence in the archaeological record. Drawing on this research but taking a more anthropological approach, Michele Hayeur Smith looks at jewellery as social symbols and a potential indicator of gender, status and power differences, and of spiritual and religious sentiment. Taking evidence largely from burial contexts dating to between AD 870 and 1000, the results of her study suggest that jewellery was used to differentiate between the sexes, and especially to draw attention to female sexual attributes, and most likely to denote differences in gender and cultural identity. The materials used to produce jewellery, craftsmanship, technology and production are also examined in the later chapters.
Textiles and the Medieval Economy
Archaeologists and textile historians bring together 16 papers to investigate the production, trade and consumption of textiles in Scandinavia and across parts of northern and Mediterranean Europe throughout the medieval period. Archaeological evidence is used to demonstrate the existence or otherwise of international trade and to examine the physical characteristics of textiles and their distribution in order to understand who was producing, using and trading them and what they were being used for. Historical evidence, mainly textual, is employed to link textile names to places, numbers and prices and thus provide an appreciation of changing economics, patterns of distribution and the organisation of trade. Different types and qualities of cloths are discussed and the social implications of their production and import/export considered against a developing background of urbanism and increasing commercial wealth.
Silver, Butter, Cloth
Silver, Butter, Cloth discusses what constituted 'money' in the Viking Age, and how 'money' was used? It is widely accepted that silver constituted the main form of currency. Silver, Butter, Cloth examines how silver functioned as payment but also explores the monetary role of non-silver currencies in the Viking economy.
Silk for the Vikings
The analysis of silk is a fascinating topic for research in itself but here, focusing on the 9th and 10th centuries, Marianne Vedeler takes a closer look at the trade routes and the organization of production, trade and consumption of silk during the Viking Age. Beginning with a presentation of the silk finds in the Oseberg burial, the richest Viking burial find ever discovered, the other silk finds from high status graves in Scandinavia are discussed along with an introduction to the techniques used to produce raw silk and fabrics. Later chapters concentrate on trade and exchange, considering the role of silk items both as trade objects and precious gifts, and in the light of coin finds. The main trade routes of silk to Scandinavia along the Russian rivers, and comparable Russian finds are described and the production and regulation of silk in Persia, early Islamic production areas and the Byzantine Empire discussed. The final chapter considers silk as a social actor in various contexts in Viking societies compared to the Christian west.
Prehistoric Textiles
This monograph attempts to revise present ideas of the origins and early development of textiles in Europe and the Near East. Using linguistic techniques as well as methods from palaeobiology, it demonstrates that spinning and pattern-weaving existed far earlier than has been supposed.
Viking Clothing
Contrary to popular myth, the Vikings had a reputation for neatness and their fashions were copied far beyond the realms of Scandinavia. Those who could afford to displayed a love of fine clothes made from silks, from lightweight worsteds in subtly woven twills, and from the finest of linens. This accessible new book is the first to tackle the question of what the Vikings wore, drawing on evidence from art and archaeology, literature, and linguistics to arrive at a fresh understanding of the nature of Viking clothing, covering rich and poor, men and women across Scandinavia. It includes an overview of Viking textiles and dyeing, and an exploration of cloth production and clothing in the context of Viking society as a whole, as well as a detailed consideration of both male and female outfits and a new interpretation of the suspended dress.
