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Hyperborder
Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.
What 'bout u?
It is the best-selling book in the English language of the genius writer Emil Cerda. This book was so popular with people who speak the English language that they asked publishers to ask Emil to launch other types of poems and brands.
Self Help Graphics at Fifty
"Self Help Graphics at Fifty celebrates the ongoing legacy of an institution which had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States. Officially launched in 1973 during the Chicano Movement by Italian-American Franciscan nun and artist Sister Karen Boccalero and queer Mexican artists Carlos Bueno and Antonio Ibaänez, Self Help Graphics served on the cultural front of the movement. The institution's commitments to art, dignity for all, and pride in ethnic heritage appear in every aspect of programming, including the Dâia de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organization's influential role in US and global art histories"--
Trade Unionists Against Terror
Deborah Levenson-Estrada provides the first comprehensive analysis of how urban labor unions took shape in Guatemala under conditions of state terrorism. In Trade Unionists against Terror, she explores how workers made sense of their struggle for rights in the face of death squads and other forms of violent opposition from the state. Levenson-Estrada focuses especially on the case of 400 workers at the Coca-Cola bottling plant in Guatemala City, who, in order to protect their union, successfully occupied the factory for over a year beginning in 1984 while the country was under a state of siege. According to Levenson-Estrada, religion provided the language of resistance, and workers who were engaged in what seemed to be a dead-end battle constructed an identity for themselves as powerful agents of change. Based on oral histories as well as documentary sources, Trade Unionists against Terror also illuminates complex relationships between urban popular culture, gender, family, and workplace activism in Guatemala.
Gaceta Oficial
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The Public/Private Sector Mix in Healthcare Delivery
"This volume examines the public/private sector mix in a number of national healthcare systems and their interface with the goals of health equity and quality of healthcare. Moreover, there is a consideration of public accountability. The unique significance of this collection of national studies involving the public/private sector mix of healthcare services and/or finances is that it provides insights into the factors that enhance the public/private sector mix in fulfilling the goals of health equity and the quality of healthcare services as well as an understanding of the circumstances in which elements of the public/private sector mix may be harmful for the achievement of such goals in a variety of national settings. The contributions to this volume provide a variety of perspectives in dealing with these objectives"--
Gronk
Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word “mural” to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens. In this sweeping examination of Gronk's oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet still remain true to himself. From street murals to mail art, from large-scale action painting to performance art and operatic set design, Gronk has made a lasting mark on the Chicano art movement, the ...
ISLA
Clippings of Latin American political, social and economic news from various English language newspapers.
