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Shamans and Traditions
Author Mihly Hoppl founder and president of the International Society of Shamanistic Research has written numerous studies examining shamanistic culture in many parts the world. His research has covered the comparative mythology of Uralic peoples, ethnosemiotics, theory of tradition, and shamanism in Eurasia. He has conducted fieldwork in Siberia among Sakha, Tuva, Buryat, Nanai, and in North East China among Manchu, Daur, and Bargu nationalities. Shamans and Traditions, his most current study, follows in the wake of his recent works Rediscovery of Shamanic Heritage (2003), Shamans and Cultures (2001), and Studies on Mythology and Uralic Shamanism (2001).
Explore Shamanism
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Shamanism in Siberia
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Studies on Shamanism
In this book the authors made a selection of their essays concerning Siberian/Eurasian shamanism. The strong emphasis on the comparative approach which stresses the different historical forms of shamanism distinguishes this contribution from other studies on the subject.The eight essays of Part I are arranged under the following headings: Siberian and Inner Asian Shamanism; The Siberian Shaman's Technique of Ecstasy; Two Types of Shamanizing and Categories of Shamanic Songs; Finnish Rock Art, Animal Ceremonialism and Shamanic World-view Singing of Incantation in Nordic Tradition; Shamanic Themes in Finnish Epic Poetry; Shamanic Knowledge and Mythical Images by Anna-Leena Siikala.In Part 2, Mihaly Hoppal summarizes his essays in the following chapters: Shamanism: An Arctic and/or Recent System of Beliefs; On the Origin of Shamanism and the Siberian Rock Art; Pain in Shamanic Initiation; Traces of Shamanism in Hungarian Folk Beliefs; The Role of Shamanism in Hungarian Ethnic Identity; Changing Image of the Eurasian Shamanism; Ethnographic Films on Shamanism; Urban Shamans: A Cultural Revival.
Shamanism
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Shamanism in the Interdisciplinary Context
The understanding of shamanism in its variety of forms and manifestations has become vital in our understanding of the origins and development of ideological systems of the human family. Though not a religion, shamanism is the first formalization of the human quest for meaning, understanding and participation in the mysteries of the cosmic drama. It is a global phenomenon; cultural specific practices and beliefs reflecting and embodying universal "truths." This book is a collection of the papers presented at the 6th Conference of the International Society for Shamanistic Research held at the Viljandi Kultuurikolledz, Viljandi, Estonia in August of 2001. It represents the contemporary work of international scholarship in its attempt to understand the complexities of shamanism, both ancient and surviving. Increasingly the study of shamanism is interdisciplinary. These papers and articles offer, as well, an example of the mix of disciplines presently coming to bear on the study of shamanism.
Shamans Unbound
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Shamanism in Performing Arts
Contains papers and lectures from two 1993 conferences of the International Society for Shamanistic Research, reporting on current research in artistic aspects of shamanism and focusing on shamanic practices in Asia and Eurasia. Topics include Manchu shamanic dance; shamanic visual art of Nepal; ancient Hungarian folk songs and shamanic songs of the minorities of North China; the poetry of shamanism; and the revival of shamanism in the contemporary North. Distributed by ISBS. Annotation copyright by Book News, Inc., Portland, OR
The Way of Inuit Art
Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two...
