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The interplay between clothes and social order in early modern societies is well known. Differences in dress and hierarchies of appearances coincided with and structured social hierarchies and notions of difference. However, clothes did not merely reproduce set social patterns. They were agents of change, actively used by individuals and groups to make claims and transgress formal boundaries. This was not least the case for the revolutionary decades of the late eighteenth century, the period in focus of this book. Unlike previous studies on sumptuary laws and other legal actions taken by governments and formal power holders, this book offers a broader and more everyday perspective on late ei...
This study in comparative conceptual history reveals how the concepts of nation and fatherland were redefined within public religion in eighteenth-century England, the Netherlands and Sweden, leading to more positive and inclusive conceptions of nationhood and the gradual reconfiguration of national identities in more secular terms.
Includes "A-Z of Swedish death metal bands - encyclopedia," with band histories and performers.
The Social Life of the Early Modern Protestant Clergy provides unexpected new insights on the lives of the early modern English and Swedish clergy through case studies and broader surveys. Rosamund Oates demonstrates how the first generations of clergy wives in England used hospitality to support their husbands in the process of reform. Jacqueline Eales examines the shift from the sixteenth-century debate about the legality of clerical marriage to a positive portrayal of women from English clerical families in the years 1620–1720. William Gibson challenges the view that the eighteenth-century English episcopate were rapacious, arguing that they were often careful custodians of episcopal es...
The performance of heritage takes place in prestigious institutions such as museums and archives, in officially sanctioned spaces such as jubilees and public monuments, but also in more mundane, ephemeral and banal cultural practices, such as naming of phenomena, viewing exhibitions or walking in the countryside. This volume examines the performance of Nordic heritage and the shaping of the very idea of Norden in diverse contexts in North America, the Baltic and the Nordic countries and examines the importance of these places as sites for creating and preserving cultural heritage. Offering rich perspectives on a part of Europe which has not been the centre of discussion in the Anglophone world, this volume will be of value to a wide readership, including cultural historians, museum practitioners, policy-makers and scholars of heritage, ethnology and folkloristics.
The first truly global history of the Napoleonic Wars, arguably the first world war.
This book focuses on early examples of women who may be said to have anticipated, in one way or another, modern professional and/or career-oriented women. The contributors to the book discuss women who may at least in some respect be seen as professionally ambitious, unlike the great majority of working women in the past. In order to improve their positions or to find better business opportunities, the women discussed in this book invested in developing their qualifications and professional skills, took economic or other kinds of risks, or moved to other countries. Socially, they range from elite women to women of middle-class and lower middle-class origin. In terms of theory, the book brings fresh insights into issues that have been long discussed in the field of women’s history and are also debated today. However, despite its focus on women, the book is conceptually not so much focused on gender as it is on profession, business, career, qualifications, skills, and work. By applying such concepts to analyzing women’s endeavours, the book aims at challenging the conventional ideas about them.
This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.
Play, thrills, danger and excitement
The 'Age of Revolution' is a term seldom used in Scandinavian historiography, despite the fact that Scandinavia was far from untouched by the late eighteenth-century revolutions in Europe and America. Scandinavia did experience its outbursts of radical thought, its assassinations and radical reforms, but these occurred within reasonably stable political structures, practices and ways of thinking. As recent research on the political cultures of the Nordic countries clearly demonstrates, the Danish, Finnish, Icelandic, Norwegian and Swedish experiences of the late-eighteenth and early-nineteenth centuries offer a more differentiated look at what constitutes 'revolutionary' change in this perio...