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The Kaiju Connection
What makes a kaiju a kaiju? What makes an ape a large ape, and why do we sympathize with some, such as King Kong, and not with others, such as Konga? And what makes a giant person become a "monster"? This book provides a new perspective on kaiju and reveals that our boundaries for the genre are perhaps not so solid. The work focus primarily on newer kaiju works, ranging from Colossal to Shin Godzilla to Godzilla vs. Kong, but also touches on classics such as King Kong, Mighty Joe Young, Godzilla Raids Again, and lesser-known works such as What to Do With the Dead Kaiju? and Agon. Like our ancestors we have collectively adopted giant monsters into our culture, especially our pop culture. Within the domains where giant monsters walk, we experience the rigidity of our moral structures, and the fleeting borders of our definitions of humanity. Within the kaiju film genre rest our own assumptions about what makes a monster a monster, and, more importantly, what makes a human a human.
SHARDS
Shards: Fragments of Mind presents a collection of aphorisms, epigrams, terse journal entries, notes, short vignettes, and pity statements, as well as longer segments, such as unpublished papers, blog posts, and essays meant to enlighten the reader and inspire the ability to think; none of these minutes are meant to be exhaustive, although no linear organization enforces itself on the text comprehensive themes will be discovered through comparable reading. Each entry stands alone and is presented in no particular order. I cover topics as varied as Extra Terrestrials and Christianity, cell phones, and Just War Criteria. The reader may start at any point from beginning to end or randomly, and ...
Kaiju Unleashed
Kaiju Unleashed offers a general introduction to the exciting film genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.
Sound in the American Horror Film
The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages.
California Warbird Survivors 2002
During the twentieth century, civil and military aviation has played a prominent role in the history and development of California. Commercial operators have exploited the advantages offered by aircraft to overcome its unique challenges of geography and climate. By virtue of Californias comparative size and strategic importance on the West Coast of the continental USA, a wide variety of military aircraft have been based there through the years. The list of military aircraft types that made up the tapestry of California aviation is as extensive as the list of legendary figures who have contributed to its amazing history. While most of the military aircraft types no longer grace the airspace o...
Selling Science Fiction Cinema
How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consid...
People and Things from the Cullman, Alabama Tribune 1877 - 1898
The Tribune began publication in 1875 in what was then Blount County. It was one of the earliest papers published in the area after the end of the Civil War. Cullman was founded by German immigrants after the establishment of the old South and North railroad in 1872. Cullman grew quickly and became a county of its own in 1877. The earliest surviving issues of the Tribune were microfilmed by the State Archives in Montgomery and the film was studied for all announcements of births, marriages, deaths, obituaries, and news important to the history and development of Cullman County. The result is a fascinating book which details the early lives of Cullman County settlers recorded in the pages of its very first newspaper.
The City Record
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Kong, Godzilla and the Living Earth
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "dream dragons" analogy, made comebacks in American cinema. The blockbuster Kaiju resurged onto the screen, depicting these protectors of an Earth plagued by mankind's hubris and folly. With Earth's future hanging in the balance, their climactic 2021 staging settled a score between the two giant monsters, resolving Toho's classic 1963 film King Kong vs. Godzilla. As formidable creatures emerging from Time's Tomb on Mother Earth, metaphorical Kong and Godzilla are considered here in light of new millennial environmentalism's stark reality. This book, nostalgic in tone, explores the meaning of Kong and Godzilla as planetary saviors--titanic protectors of a theoretical "living Earth" Gaia--defending the globe from a prehistoric plague of adversaries.
