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Ice hockey has featured in North American films since the early days. Hockey's sizable cinematic repertoire explores different views of the sport, including the role of aggression, the business of sports, race and gender, and the role of women in the game. This critical study focuses on hockey themes in more than 50 films and television movies from the U.S. and Canada spanning several decades. Depictions of historical games are discussed, including the 1980 "Miracle on Ice" and the 1972 Summit Series. National myths that inform ideas of the hockey player are examined. Production techniques that enhance hockey as on-screen spectacle are covered.
Survivor has proven to be one of the most popular shows to ever hit television screens. What has this pop culture phenomenon shown us — by placing a few hundred people on islands around the world — about the psychological make-up of the average American? In Psychology of Survivor, the third installment of BenBella Books's Psychology of Popular Culture series, leading psychologists — and fans of Survivor — unite to offer up their expertise on the show that started the reality show craze. From why macho alpha males rarely win to stress and body image, from situational ethics to the dreaded Rob Cestaries factor, Psychology of Survivor is a broad look at cutting-edge psychological issues through the lens of Survivor. The tribe has spoken — Psychology of Survivor is the best book for Survivor fans and psychology enthusiasts alike!
Binge and Bingeability: The Antecedents and Consequences of Binge Watching Behavior examines how the television industry has transformed over time to create the circumstances in which binge watching as a mass behavior can emerge, and what role audiences have played in the rising prevalence of this behavior. Arienne Ferchaud, recognizing that this behavior did not spring, fully formed, from streaming services, ties cultural approaches to binge watching with media psychology-oriented theories, including the concept of “bingeability”—the likelihood that a specific sow will be binge watched—alongside the psychological impacts binge watching may have on viewers over time. Scholars of media studies, television studies, sociology, cultural studies, and psychology will find this book particularly useful.
During the second half of the 20th century, the Caribbean island of Barbados emerged as a key player in the creation and nurturing of Caribbean popular music. And, yet, despite its vital role in the popularization of tuk music, the rise of spouge, and the Barbadian contribution to and transformation of other Carribean music traditions, there is still relatively little sustained critical literature that discusses the various strands of the island's music culture. Curwen Best's The Popular Music and Entertainment Culture of Barbados provides this long overdue survey of the development of Barbadian popular music and entertainment culture by focusing on pivotal phenomena, artists and movements i...
Branded Entertainment explains how product placement, a long-time phenomenon in films, has gone beyond this to now embrace all media. Citing examples from film to music video, to computer games, the author explains the: history and development of product placement; advantages of this form of brand advertising; and methods employed by different brands Most importantly, Branded Entertainment discusses the future possibilities for using this form of promotion to recreate an emotional connection with customers and exploiting the opportunities afforded by advances in technology to spread the message across multimedia channels.
This book explores the importance and the types of media innovation policies formulated and implemented in various European countries. Each country analysis illustrates the evolution and structure of news media markets and media cross-ownership policies in recent years and evaluates how innovation policies stimulate innovative activities in journalism and news media. The main objective of this book is to promote discussion on how innovation policies can help the news media industry to meet development needs and requirements in the future. It will help scholars, politicians and practitioners in the media industry to identify best practices to support innovation in a rapidly changing news media landscape.
This pioneering collection brings together Suzanne Keen’s extensive body of work on empathy and reading, charting the development of narrative empathy as an area of inquiry in its own right and extending cross-disciplinary conversations about empathy evoked by reading. The volume offers a brief overview of the trajectory of research following the 2007 publication of Empathy and the Novel, with empathy understood as a suite of related phenomena as stimulated by representations in narratives. The book is organized around three thematic sections—theories; empathetic readers; and interdisciplinary applications—each preceded by a short framing essay. The volume features excerpts from the author’s seminal works on narrative empathy and makes available her harder-to-access contributions. The book brings different strands of the author’s research into conversation with existing debates, with the aim of inspiring future interdisciplinary research on narrative empathy. This book will be of interest to students and scholars in such fields as literary studies, cognitive science, emotion studies, affect studies, and applied contexts where empathetic practitioners work.
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This special issue shows that "old ethics" don't always provide ready answers to problems raised by new technology. Exploring the perplexing topic of ethics in new media, this special issue: *examines the ethics of the highly controversial 1998 Cincinnati Enquirer exposé of Chiquita Brands International; *reports on a pilot project involving online journalists and online journalism graduate students; *investigates the extent to which e-mail and listservs are--and could be--effective fora for journalists interested in exploring matters of ethics; and *provides a useful annotated webliography of information resources.
This is the first scholarly volume devoted to the works of the prolific Austrian poet and prose artist Evelyn Schlag. European and American scholars provide an overview of Schlag's themes as well as detailed analyses of individual works. The essayists present a variety of approaches, from feminist readings to analyses of Schlag's eroticized language and poetic networking, making the book a rich resource for students and scholars alike. Additional resources include a new interview with Evelyn Schlag and a comprehensive bibliography.