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Hip-Hop in Europe
This is the first collection of essays to take a pan-European perspective in the study of hip-hop. How has it traveled to Europe? How has it developed in the various cultural contexts? How does it reference the American cultures of origin? The book's 21 authors and artists provide a comprehensive overview of hip-hop cultures in Europe, from the fringes to the centers. They address hip-hop in a variety of contexts, such as class, ethnicity, gender, history, pedagogy, performance, and (post-) communism. (Series: Transnational and Transatlantic American Studies - Vol. 13)
Reality TV
"Through detailed case studies this book breaks new ground by linking together two major themes: the production of realism and its relationship to revelation. It addresses 'truth telling', confession and the production of knowledges about the self and its place in the world".--BOOKJACKET.
The Epistemology of Deceit in a Postdigital Era
This edited book collection offers strong theoretical and philosophical insight into how digital platforms and their constituent algorithms interact with belief systems to achieve deception, and how related vices such as lies, bullshit, misinformation, disinformation, and ignorance contribute to deception. This inter-disciplinary collection explores how we can better understand and respond to these problematic practices. The Epistemology of Deceit in a Postdigital Era: Dupery by Design will be of interest to anyone concerned with deception in a ‘postdigital’ era including fake news, and propaganda online. The election of populist governments across the world has raised concerns that fake...
Music in Cyprus
Music in Cyprus draws its authors from both sides of the divided island to give a rounded picture of musical culture from the beginning of the British colonial period (1878-1960) until today. The book crosses conventional scholarly divides between musicology and ethnomusicology in order to achieve a panorama of music, culture and politics. Shared practices of traditional music and dance are outlined, and the appropriation of those practices by both communities in the aftermath of the de facto division of the island is examined. Art music (European and Ottoman) is also discussed, both in terms of the structures of musical life and the creative praxes of composers, and there is an account of t...
Racism, Policy and Politics
Race has been a prominent public policy issue in the UK for decades and there is growing interest in academia, but it is often caught in a repetitive cycle of progress and regress. This book analyses and bridges that gap by providing a unique insight into the relationship between race and ethnicity scholarship and the reality of ‘real world’ policy and politics. Drawing on the author’s academic work as well as his background working in public policy bodies, it goes beyond ‘impact’ debates, public sociology, diversity and post-race, to examine the changing context for researching race and racism, including media and policy debates and the ways in which institutional racism has played out in public policy settings since the Stephen Lawrence inquiry. Combining theory and applied policy analysis in an accessible way, it guides the reader through the cultural and political changes in race and racism in recent decades and identifies the challenges and opportunities for policy and politically-engaged scholarship in future, clearly mapping the pitfalls and possibilities for critical work on race and racism. .
Dark Waves
Between 1977 and 1980, Britain was a country and culture in flux. The threat of nuclear war, mass unemployment, and strikes made it a particularly gloomy period historically. Within this, a growing number of electronic music acts were using technology and the synthesizer to soundtrack changing times. Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977- 80) is the first musicological collection of essays on acts that include Throbbing Gristle, Cabaret Voltaire, and The Human League, mapping how the synthesizer spurred toward a fundamental shift in the mechanisms of electronic musicmaking in late 1970s. The volume traces how, along with the musical aesthetics established by both the Punk and Post-Punk movements, the synthesizer led to new and innovative effects, ideas, processes, and musical genres. Dark Waves explores the background, influences, and use of technology and how such developments would result in the more commercial electronically produced sound of 1980s synth pop which, in turn, shaped the sound of electronic music today.
Revisiting Sexualities in the 21st Century
Sexual interactions are socially constructed within a historical, social and cultural milieu, and are continually defined and redefined accordingly depending on the surrounding economic, political, moral, and religious social forces. Although the human capacity for sexual expression spans a wide range of variations and permutations, it is nonetheless seriously confined, limited and restricted to only a few “acceptable” forms. Western style “sexual acceptability” is, in turn, determined by the prevailing white, heterosexual standards of patriarchy perpetuated through childhood masculine socialization and adolescent and adult machismo practices. Revisiting Sexualities in the 21st Centu...
Resolving the Cyprus Conflict
By placing the conflict in its historical, ideological, ethno-political and geostrategic context, the book extends beyond conventional realist approaches and lays bare those less visible dimensions that are often ignored by analysts and policy-makers alike.
Bob Marley and Media
Bob Marley and Media: Representation and Audiences presents an analysis of how media, radio, television and print represented Bob Marley, including his popularity after his death. Mike Hajimichael examines unexplored connections between Bob Marley and media representation and the specifics of audiences, including coverage in tabloids, music magazines, and fanzines, as well as radio and television interviews. Hajimichael builds an extensive catalogue of Bob Marley’s media engagements and connects Marley to media through forms of political discourse and ideologies relevant to social change in different contexts globally, such as civil rights, anti-racism, Rastafari, and liberation movements. Given that varieties of representation exist, the book unpacks these media discourses with regard to public perceptions and key themes articulated, including mainstream versus fan-based coverage, issues of Rastafari, Black Consciousness, economic crisis, legacies of colonialism, slavery, racism, links to other music idioms, concepts of identity, and Marley’s personal relationships.
